See also:

• SIR

SIR See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

MARTIN See also:

• ARCHER, WILLIAM (1856— )

ARCHER See also:

• SIR MARTIN ARCHER SHEE (1770-1850)

SHEE (1770-1850)  , See also:

• ENGLISH

English portrait-painter and See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• DUBLIN

Dublin on the 23rd of Decembei 1770 . He was sprung from an old Irish See also:

• FAMILY

family, and his See also:

• FATHER

father, a See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

merchant, regarded the profession of a painter as no See also:

• FIT

fit occupation for a descendant of the Shees . See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

Young See also:

• SHEE, SIR MARTIN ARCHER (1770-1850)

Shee became, nevertheless, a student of See also:

• ART

art in the Dublin Society, and came See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early to See also:

• LONDON

London, where he was, in1788, introduced by See also:

• BURKE
• BURKE, ROBERT
• BURKE, SIR JOHN BERNARD (1814–1892)
• BURKE, WILLIAM (1792–1829)

Burke to See also:

• REYNOLDS, JOHN FULTON (182o-1863)
• REYNOLDS, SIR JOSHUA (1723-1792)
• REYNOLDS, WALTER (d. 1327)

Reynolds, by whose See also:

• ADVICE (Fr. avis, from Lat. ad, to, and visum, viewed)

advice he studied in the See also:

• SCHOOLS

schools of the Royal Academy . In' 1789 he exhibited his first two pictures, the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

Head of an Old See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man and Portrait of a See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

Gentleman . During the next ten years he steadily increased in practice . He was chosen an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Royal Academy in 1798, shortly after See also:

• FLAXMAN, JOHN (1755-1826)

Flaxman, and in 'Soo he was made a Royal Academician . In the former See also:

• YEAR

year he had married, removed to See also:

• ROMNEY (NEw ROMNEY)
• ROMNEY, GEORGE (1734-1802)
• ROMNEY, HENRY SIDNEY, EARL OF (1641-1704)

Romney's See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house in See also:

• CAVENDISH
• CAVENDISH, GEORGE (1500-1562?)
• CAVENDISH, HENRY (1731-1810)
• CAVENDISH, SIR WILLIAM (c. 1505-1557)

Cavendish Square, and set up as his successor . Shee continued to paint with See also:

• GREAT

great readiness of See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand and fertility of invention, although his portraits were eclipsed by more than one of his contemporaries, and especially by See also:

• LAWRENCE
• LAWRENCE (LAURENTIUS, LORENZO), ST
• LAWRENCE, AMOS (1786—1852)
• LAWRENCE, AMOS ADAMS (1814–1886)
• LAWRENCE, GEORGE ALFRED (1827–1876)
• LAWRENCE, JOHN LAIRD MAIR LAWRENCE, 1ST BARON (1811-1879)
• LAWRENCE, SIR HENRY MONTGOMERY (1806–1857)
• LAWRENCE, SIR THOMAS (1769–1830)
• LAWRENCE, STRINGER (1697–1775)

Lawrence, See also:

• HOPPNER, JOHN (1758—1810)

Hoppner, See also:

• PHILLIPS
• PHILLIPS, ADELAIDE (1833-1882)
• PHILLIPS, EDWARD (163o-1696)
• PHILLIPS, JOHN (1800—1874)
• PHILLIPS, SAMUEL (1814—1854)
• PHILLIPS, STEPHEN (1868– )
• PHILLIPS, THOMAS (1770-1845)
• PHILLIPS, WENDELL (1811-1884)

Phillips, See also:

• JACKSON
• JACKSON, ANDREW (1767-1845)
• JACKSON, CYRIL (1746-1819)
• JACKSON, FREDERICK GEORGE (186o– )
• JACKSON, HELEN MARIA (1831–1885)
• JACKSON, MASON (c. 1820-1903)
• JACKSON, THOMAS (1579-1640)
• JACKSON, THOMAS JONATHAN (1824-1863)
• JACKSON, WILLIAM (1730-1803)

Jackson and See also:

• RAEBURN, SIR HENRY (1756-1823)

Raeburn . The earlier portraits of the artist are carefully finished, easy in See also:

• ACTION

action, with See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• DRAWING

drawing and excellent discrimination of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character . They show an undue tendency to redness in the flesh See also:

• PAINTING

painting—a defect which is still more apparent in his later See also:

• WORKS

works, in which the handling is less " square," crisp and forcible . In addition to his portraits he executed various subjects and See also:

• HISTORICAL

historical works, such as Lavinia, See also:

• BELISARIUS (c. 505–565)

Belisarius, his diploma picture Prospero and See also:

• MIRANDA, FRANCESCO (c. 1754-1816)

Miranda, and the Daughter of See also:

• JEPHTHAH

Jephthah . In 1805 he published a-poem consisting of Rhymes on Art, and it was succeeded by a second See also:

• PART

part in 1809 .

See also:

• BYRON, GEORGE GORDON BYRON, 6TH BARON (1788-1824)
• BYRON, HENRY JAMES (1834-1884)
• BYRON, HON
• BYRON, JOHN BYRON

Byron spoke well of it in his English Bards and Scotch Reviewers, and invoked a See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place for " Shee and See also:

• GENIUS (from Lat. genere, gignere)

genius " in the See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

temple of fame . Shee published another small See also:

• VOLUME

volume of verses in 1814, entitled The See also:

• COMMEMORATION

Commemoration of See also:

• SIR

Sir See also:

• JOSHUA, BOOK OF

Joshua Reynolds, and other Poems, but this effort did not greatly increase his fame .. He now produced a tragedy called Alasco, of which the See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene was laid in See also:

• POLAND (Polish Polska, Ger. Polen), (see POLAND, RUSSIAN, below)
• POLAND, RUSSIAN

Poland . The See also:

• PLAY

play was accepted at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden, but See also:

• COLMAN, GEORGE (1732–1794)
• COLMAN, SAINT (d. 676)
• COLMAN, SAMUEL (1832– )

Colman, the licenser, refused it his See also:

• SANCTION (Lat. sanctia, from sancire, to decree or ordain)

sanction, on the plea of its containing certain treasonable allusions, and Shee, in great wrath, resolved to make his See also:

• APPEAL

appeal to the public . This violent See also:

• THREAT

threat he carried out in 1824, but Alasco is still on the See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list of unacted dramas . On the See also:

• DEATH

death of Lawrence in 1830, Shee was chosen president of the Royal Academy, and shortly afterwards he received the See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour of See also:

• KNIGHTHOOD

knighthood . In the dispute regarding the use of rooms to be provided by See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government, and in his examination before the See also:

• PARLIAMENTARY

parliamentary See also:

• COMMITTEE (from commute, an Anglo-Fr. past participle of commettre, Lat. committere, to entrust; the modern Fr. equivalent comite is derived from the Eng.)

committee of 1836, he ably defended the rights of the Academy . He continued to paint till 1845, and died on the 13th of See also:

• AUGUST (originally Sextilis)

August 1850 .