See also:

• PAUL
• PAUL (PAULUS)

PAUL ARMAND See also:

• PAUL ARMAND SILVESTRE (1837-1901)

SILVESTRE (1837-1901)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French poet and conteur, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 18th of See also:

• APRIL

April 1837 . He studied at the Ecole polytechnique with the intention of entering the See also:

• ARMY
• ARMY (from Fr. armee, Lat. armata)

army, but in 187o he entered the See also:

• DEPARTMENT (Fr. departement, from departir, to separate into parts)

department of See also:

• FINANCE

finance . He had a successful See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

official career, was decorated with the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour in 1886, and in 1892 was made inspector of See also:

• FINE

fine arts . Armand See also:

• SILVESTRE, PAUL ARMAND (1837-1901)

Silvestre made his entry into literature as a poet, and was reckoned among the Parnassians . His volumes of See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse include: Rimes neuves et vieilles (1866), to which See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George See also:

• SAND
• SAND, GEORGE (1804-1876)

Sand wrote a See also:

• PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

preface; See also:

• LES

Les Renaissances (1870); La Chanson See also:

• DES

des heures (1878); Le Chemin des etoiles (1885), &c . The poet was also a contributor to Gil See also:

• BIAS
• BIAS (from the Fr. biais, of unknown origin; the derivation from Lat. bifax, two-faced, is wrong)

Bias and other Parisian See also:

• JOURNALS

journals, distinguishing himself by the See also:

• LICENCE (through the French from Lat. licentia, licere, to be lawful)

licence he permitted himself . To ' these " absences " from See also:

• POETRY

poetry, as See also:

• HENRI

Henri See also:

• CHANTAVOINE, HENRI (1850– )

Chantavoine calls them, belong the seven volumes of La See also:

• VIE

Vie pour See also:

• TIRE

Tire (1881-1883), Conies pantagrueliques et galants (1884), Le Livre des joyeusete's (1884), Gauloiseries nouvelles (1888), &c . For the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage he wrote in many different See also:

• MANNERS, CHARLES (1857– )

manners: Sapho (1881), a See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama; See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry VIII (1883), with Leonce Detroyat, See also:

• MUSIC

music by See also:

• SAINT (lat. sanctus, " holy ")

Saint-Saens; and the Drames sacres (1893), religious pictures after 14th- and 15th-See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century See also:

• ITALIAN

Italian painters, with music by See also:

• GOUNOD, CHARLES FRANCOIS (1818--1893)

Gounod . An See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of his varied and somewhat incongruous See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production is hardly See also:

• COMPLETE

complete without mention of his See also:

• ART

art See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism . Le Nu au See also:

• SALON

Salon (1888-1892), in five volumes, with numerous illustrations, was followed by other volumes of the same type . He died at;See also:

• TOULOUSE
• TOULOUSE, LOUIS ALEXANDRE DE BOURBON, COUNT OF (1678-1737)

Toulouse on the 19th of See also:

• FEBRUARY

February 1901 .