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See also: English mathematician, was See also: born at Market See also: Bosworth in See also: Leicestershire on the loth of See also: August 1710
.
His See also: father was a stuff See also: weaver, and, intending to bring his son up to his own business, took little care of the boy's See also: education
.
See also: Young See also: Simpson was so eager for knowledge that he neglected his See also: weaving, and in consequence of a See also: quarrel was forced to leave his father's See also: house
.
He settled for a See also: short See also: time at See also: Nuneaton at the house of a Mrs Swinfield, whom he afterwards married, where he met a pedlar who practised See also: fortune-telling
.
Simpson was induced to cast nativities himself, and soon became the See also: oracle of the neighbourhood; but he became convinced of the imposture of See also: astrology, and he abandoned this calling
.
After a residence of two or three years at See also: Derby, where be worked as a weaver during the See also: day and taught pupils in the evenings, he went to See also: London
.
The number of his pupils in-creased; his abilities became more widely known; and he was enabled to publish by subscription his See also: Treatise of Fluxions in 1737
.
This treatise abounded with errors of the See also: press, and contained several obscurities and defects incidental to the author's want of experience and the disadvantages under which
His first See also: play, Crutch and Toothpick, was produced at the Royalty Theatre in See also: April 1879, and was followed by a number of plays of which he was author or See also: part-author
.
After long runs at west end houses, many of these became stock pieces in suburban and provincial theatres
.
His most famous melodramas were: The See also: Lights of London (Princess's theatre, See also: September 1881), which ran for nearly a See also: year; In the Ranks (Adelphi, Oct
.
1883), written with H
.
Pettit, which ran for 457 nights; Harbour Lights (1885), which ran for 513 nights; Two Little Vagabonds (Princess's Theatre, 1896–1897)
.
He was part-author with See also: Cecil Raleigh of the burlesque See also: opera, Little Christopher See also: Columbus (1893), and among his musical plays were Blue-eyed Susan (See also: Prince of See also: Wales's, 1892) and The See also: Dandy Fifth (See also: Birmingham, 1898)
.
His early volumes of See also: light verse were very popular, notably The Dagonet See also: Ballads (1882), reprinted from the See also: Referee
.
How the Poor Live (1883) and his articles on the See also: housing of the poor in the Daily See also: News helped to arouse public opinion on the subject, which was dealt with in the See also: act of 1885
.
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