See also:

• ALFRED

ALFRED See also:

• ALFRED SISLEY (1840-1899)

SISLEY (1840-1899)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French landscape painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1839, of See also:

• ENGLISH

English parents . He studied See also:

• PAINTING

painting under See also:

• GLEYRE, MARC CHARLES GABRIEL (1806-1874)

Gleyre, and was afterwards influenced, first by See also:

• COROT

Corot, and then by the impressionists See also:

• MONET, CLAUDE (184o- )

Monet and See also:

• RENOIR, FIRMIN AUGUSTE (1841– )

Renoir . He worked both in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France and in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, and made the See also:

• SEINE
• SEINE (Lat. Sequana)
• SEINE, or SEAN (O. Fr. seigne, mod. seine, Lat. sagena, Gr. vaytivrl, a draw-net)

Seine, the Loing and the See also:

• THAMES

Thames the subjects of many pictures that are remarkable for the subtle appreciation of the most delicate See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour effects . Success was not given him during his See also:

• LIFE

life, which was one of See also:

• CONSTANT, BENJAMIN (1845-1902)

constant poverty and hard struggle . Purchasers of his pictures were few and far between, although the prices rarely exceeded a few pounds . Only after his See also:

• DEATH

death, which occurred at Moret-sur-Loing in 1899, did his See also:

• WORK

work find appreciation, and at the Viau See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale in Paris, in 1907, his small painting of " The Seine at See also:

• PORT

Port-Marly " realized £652, whilst ten other landscapes sold at prices ranging from £200 to £400 . He was essentially a colourist who, like Monet, delighted in recording the changing effects of See also:

• LIGHT

light in the successive See also:

• HOURS, CANONICAL

hours of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, and paid very little See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention to See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition and draughtsmanship . The impressionist See also:

• EXHIBITION

exhibition at the See also:

• GRAFTON
• GRAFTON, DUKES OF
• GRAFTON, RICHARD (d. 1572)

Grafton Galleries, See also:

• LONDON

London, in 1905, included several characteristic examples of his work . See also:

• SISLEY, ALFRED (1840-1899)

Sisley iss.lso represented at the Luxembourg in the Caillebotte collection .