See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, See also:

• LAT

Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)  , a rough or hasty preliminary outline or draft serving as a See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note or material for a finished See also:

• WORK

work . Though used of See also:

• LITERARY

literary See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition, as for a See also:

• SHORT, FRANCIS JOB (1857– )

short slightly constructed See also:

• PLAY

play, or of a rapid delineation in words of an event or See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character, the See also:

• TERM

term is chiefly used of the putting on See also:

• PAPER
• PAPER (Fr. papier, from Lat. papyrus)

paper or other material of the immediate impression of an See also:

• OBJECT

object, figure, landscape, &c., by an artist, or of an artist's first See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea or conception of a work whether in See also:

• PAINTING

painting or See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture .