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ANTONIO DE See also: Spanish dramatist and historian, was See also: born in 1610 at Alcala de Henares (less probably, See also: Plasencia), and studied See also: law at Salamanca, where he produced a See also: comedy entitled Amon y obligacion, which was acted in 1627
.
He became secretary to the count of Oropesa, and in 1654 he was appointed secretary of See also: state as well as private secretary to See also: Philip IV
.
Later he obtained the lucrative
See also: post of chronicler of the Indies, and, on taking orders in 16671 severed his connexion with the stage
.
He died at See also: Madrid on the 19th of See also: April 1686
.
Of his ten extant plays, two have some place in the See also: history of the drama
.
El Antor al use was adapted by See also: Scarron and again by See also: Thomas Corneille as L'Amour d la mode, while La Gitanilla de Madrid, itself founded on the novela of Cervantes, has been . utilized directly or indirectly by P
.
A
.
See also: Wolff, Victor Hugo and Longfellow
.
The titles of the remaining seven are Triunfos de amor y See also: fortuna, Euridice y Orfeo, El Alcetzar del secrete, See also: Las See also: Amazonas, El See also: Doctor Carline, Utz Bobo See also: pace ciento, and Amparar el enemigo
.
Amor y obligaci6n survives in a See also: manuscript at the Biblioteca Nacional
.
The
Historia de la conquista de Mijico, covering the three years between the See also: appointment of See also: Cortes to command the invading force and the fall of the city, deservedly ranks as a Spanish See also: prose classic
.
It was published in 1684; an See also: English See also: translation by See also: Townshend appeared in 1724
.
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