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ADOLF VON See also: Austrian actor, was See also: born of Jewish parentage in See also: Budapest on the 21st of See also: December 1834
.
Though brought up in penury and apprenticed to a working tailor, he yet cultivated the histrionic See also: art, and was fortunate in receiving the support of a co-religionist, the actor Bogumil See also: Dawison, who trained him for the stage
.
He made his first appearance at See also: Temesvar in 1851, and after engagements at Hermannstadt and See also: Graz came in the winter of 1855–1856 to See also: Konigsberg in Prussia, where his first performance was so successful that he was engaged by Heinrich See also: Laube for the Burgtheater in Vienna, making his first appearance as See also: Mortimer in Schiller's Maria See also: Stuart
.
Under Laube's careful tuition he See also: developed within three years into an actor of the first See also: order, excelling both in tragedy and See also: comedy; and in 1882, after 25 years of brilliant service at the See also: Court Theatre, he was given a patent of See also: nobility
.
In 1884 he became manager-in-chief of the theatre; and in • 1887–1888 acted as See also: artistic adviser
.
He visited the See also: United States in 1885, and again in 1899 and 1902, achieving See also: great success
.
His chief parts were Nathan in Lessing's Nathan der Weise, Wallenstein, and Der Meister von See also: Palmyra
.
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