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ALEXANDRE See also: born on the 8th of See also: February 1788 at See also: Castelnaudary, department of See also: Aude
.
His See also: father wished him to enter the army, but an early-See also: developed love of See also: poetry turned the boy's ambition in other directions
.
He was an admirer of Klopstock and Schiller, then little known in See also: France, and reproached Mme de See also: Stael with lack of See also: enthusiasm for her subject in De l'Allemagne
.
See also: Soumet came to See also: Paris in 181o, and some poems in honour of See also: Napoleon secured his nomination as auditor of the Conseil d'etat
.
His well-known See also: elegy La Pauvre fille appeared in 1814, and two successful tragedies produced in 1822, Clytemnestre and Said, secured his See also: admission to the See also: Academy in 1824
.
Jeanne d'Arc (1825) aroused See also: great enthusiasm, and was the best of his plays
.
Among his other pieces Elisabeth de France (1828), a weak imitation of Schiller's See also: Don See also: Carlos, may be noted, but Soumet's real bent was towards epic poetry
.
His most considerable See also: work is a poem inspired by Klopstock, La Divine epopee, which describes the descent of Christ into Hades
.
Under See also: Louis XVIII. he became librarian of
See also: Saint-Cloud, and subsequently was transferred to Rambouillet and to See also: Compiegne
.
He died on the 3oth of See also: March 1845, leaving an unfinished epic on Jeanne d'Arc
.
His daughter Gabrielle (Mme Beauvain d'Altenheim) had collaborated with him in some of his later
See also: works
.
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