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See also: English dramatist, was See also: born at Oxmantown, near See also: Dublin, in 1660, and entered Trinity See also: College in 1676
.
Two years later he was entered at the See also: Middle See also: Temple, See also: London
.
His first See also: play, The Persian See also: Prince, or the Loyal See also: Brother (1682), was based on a contemporary novel
.
The real See also: interest of the play See also: lay not in the See also: plot, but in the See also: political significance of the personages
.
Tachmas, the " loyal brother," is obviously a flattering portrait of See also: James II., and the villain Ismael is generally taken to represent
See also: Shaftesbury
.
The poet received an ensign's commission in Princess See also: Anne's regiment, and rapidly See also: rose to the See also: rank of captain, but his military career came to an end at the Revolution
.
He then gave himself up entirely to dramatic writing
.
In 1692 he revised and completed Cleomenes fcr See also: Dryden; and two years later he scored a See also: great success in the sentimental drama of The Fatal See also: Marriage, or the Innocent See also: Adultery (1694)
.
The piece is based on Mrs Aphra Behn's The Nun, with the addition of a comic
underplot
.
It was frequently revived, and in 1757 was altered by See also: David See also: Garrick and produced at See also: Drury Lane
.
It was known later as Isabella, or The Fatal Marriage
.
The general spirit oI his comedies is well exemplified by a See also: line from See also: Sir Anthony Love (1691)—" every See also: day a new See also: mistress and a new See also: quarrel." This See also: comedy, in which the See also: part of the heroine, disguised as Sir Anthony Love, was excellently played by Mrs See also: Mountfort, was his best
.
He scored another conspicuous success in Oroonoko, or The Royal Slave (1696) . For the plot of this he was again indebted to the novel by Mrs Behn . In his later pieces " Honest Tom See also: Southerne " did not secure any great successes, but he contrived to gain better returns from his plays than Dryden did, and he remained a favourite with his See also: con-temporaries and with the next See also: literary generation
.
He died on the 22nd of May 1746
.
His other plays are: The Disappointment, or the See also: Mother in Fashion (1684), founded in part on the Curioso Impertinente in See also: Don Quixote; The Wives' Excuse, or Cuckolds make themselves (1692); The Maid's Last Prayer; or Any, rather than fail (1692); The See also: Fate of See also: Capua (1700); The Spartan See also: Dame (1719), taken from Plutarch's See also: Life of See also: Aegis; and See also: Money the Mistress (1729)
.
See Plays written by See also: Thomas Southerne, with an Account of the Life and Writings of the Author (1774)
.
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