LO See also:

• LO SPAGNA (d. –c. 1529)

SPAGNA (d. –c. 1529)  , the usual designation (due to his See also:

• SPANISH

Spanish origin) of the See also:

• ITALIAN

Italian painter Giovanni di Pietro, one of the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief followers of See also:

• PERUGINO, PIETRO (1446-1524)

Perugino . The famous " Sposalizio "—See also:

• MARRIAGE

marriage of See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph and See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary—in the See also:

• CAEN

Caen museum, formerly attributed to Perugino (q.v.), is now credited to Lo See also:

• SPAGNA, LO (d. –c. 1529)

Spagna . Nothing whatever is known of his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• LIFE

life, or how he became a member of the Perugian school . There is. a marked See also:

• ABSENCE (Lat. absentia)

absence of individuality about his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, which seems like an See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of the earliest manner of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael and that of See also:

• PINTURICCHIO (1454–1513)

Pinturicchio in a weaker and less virile See also:

• FORM (Lat. forma)

form . The chief of his numerous See also:

• PANEL (O. Fr. panel, mod. panneau, piece of cloth, from Med. Lat. pannellus, diminutive of pannus, cloth)

panel paintings are the " Nativity," in the Vatican, and the " See also:

• ADORATION (Lat. ad, to, and os, mouth; i.e. " carrying to one's mouth ")

Adoration of the Magi," at See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin . In 1510 Lo Spagna executed many frescoes at See also:

• TODI (anc. Tuder)

Todi, and in 1512 several other mural paintings in and near Trevi . His most important See also:

• WORKS

works were frescoes at See also:

• ASSISI (anc. Asisium)

Assisi and See also:

• SPOLETO (anc. Spoletium)

Spoleto, of which some exist in See also:

• GOOD, JOHN MASON (1764-1827)

good preservation . He received the freedom of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city of Spoleto in 1516, as a See also:

• REWARD

reward for his See also:

• WORK

work there . Lo Spagna's frescoes reach a much higher See also:

• STANDARD
• STANDARD, BATTLE OF THE

standard of merit than his panel pictures . The museum of the Capitol in See also:

• ROME
• ROME (Roma)

Rome now possesses a very beautiful See also:

• SERIES (a Latin word from serere, to join)

series of life-sized See also:

• FRESCO (Ital. for cool, " fresh ")

fresco figures by him, representing See also:

• APOLLO (Gr. 'A2r6XXwv,'Airkkhwv)

Apollo and the Nine See also:

• MUSES, THE (Gr. Mo6o-at, the thinkers)

Muses . Lo Spagna was alive in 1528, but he appears to have died before 1530, as in that See also:

• YEAR

year a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of his named Doni completed a fresco in S . Jacopo, near Spoleto, which Lo Spagna had begun .