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LO See also: Spanish origin) of the See also: Italian painter Giovanni di Pietro, one of the chief followers of See also: Perugino
.
The famous " Sposalizio "—marriage of See also: Joseph and Mary—in the See also: Caen museum, formerly attributed to Perugino (q.v.), is now credited to Lo See also: Spagna
.
Nothing whatever is known of his early See also: life, or how he became a member of the Perugian school
.
There is. a marked See also: absence of individuality about his See also: style, which seems like an imitation of the earliest manner of See also: Raphael and that of See also: Pinturicchio in a weaker and less virile See also: form
.
The chief of his numerous panel paintings are the " Nativity," in the Vatican, and the " Adoration of the Magi," at Berlin
.
In 1510 Lo Spagna executed many frescoes at See also: Todi, and in 1512 several other mural paintings in and near Trevi
.
His most important See also: works were frescoes at See also: Assisi and See also: Spoleto, of which some exist in See also: good preservation
.
He received the freedom of the city of Spoleto in 1516, as a See also: reward for his See also: work there
.
Lo Spagna's frescoes reach a much higher See also: standard of merit than his panel pictures
.
The museum of the Capitol in See also: Rome now possesses a very beautiful series of life-sized See also: fresco figures by him, representing See also: Apollo and the
Nine Muses
.
Lo Spagna was alive in 1528, but he appears to have died before 1530, as in that See also: year a pupil of his named Doni completed a fresco in S
.
Jacopo, near Spoleto, which Lo Spagna had begun
.
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