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SPINET, or SPINNET (Fr. espinetle or epinette; Ger. Spinett; Ital. spinetta) , names given in See also: England to all small keyboard See also: instruments irrespective of shape, having one See also: string to a note, plucked by means of a See also: quill or plectrum of See also: leather
.
The earliest name recorded for this instrument is clavicymbalum, which occurs in the rules of the Minnesingers (1404), and also in the I4'underbuch (1440), a MS. preserved in the See also: grand-ducal library at See also: Weimar
.
This is enriched with See also: pen and ink sketches, amongst which is a series of musical instruments comprising a clavicymbalum, not represented as the rectangular instrument figured by Virdung and Luscinius, but harp- or wing-shaped like the larger and more perfect instrument afterwards known as harpsichord in England (See also: clavecin, clavicymbel)
.
In See also: Italy the usual early See also: model of spinet was pentagonal or heptagonal, and was generally enclosed in an See also: outer See also: case, from which it was taken for performance
.
Some of the See also: oldest rectangular specimens merely contain a pentagonal spinet, the corners not being filled in
.
In the 16th century the rectangular spinets were modelled in Italy on the See also: cassone or See also: wedding coffers, and the keyboard, until the See also: middle of that century, stood out from the case, Rosso of Milan being the first to recess it
.
Both forms were in use in England until the Restoration, when the transverse or wing See also: form became popular in England, Haward, See also: Stephen Keene and See also: Thomas Hitchcock being the most celebrated
See also: English makers' at the end of the 17th and beginning of the 18th century
.
The mechanism of all spinets, virginals and ' harpsichords is the same in principle, the See also: principal variation being in the number of strings to each note and the manner in which they
' See A
.
J, Hipkins, The See also: History of the Pianoforte, pp
.
71-73 (See also: London, 1896)
.
are disposed over the soundboard
.
In the spinets they run parallel or at an obtuse angle to the keyboard
.
The See also: jack rests on the back of the See also: key-
See also: lever, and See also: works through a rectangular hole cut through the soundboard as the key is depressed
.
The quill or plectrum is embedded in a pivoted See also: tongue near the top of the jack in such a manner that when the tongue is at rest the quill protrudes at right angles just under the string
.
As the jack rises the quill catches the string and twangs it, causing the tongue, kept in place by a bristle spring, to fall back and thus avoid the string on the return of the jack
.
A little piece of See also: cloth acting as a damper and attached to the jack rests on the string whenever the key returns to its normal position
.
For the history of the spinet, see PIANOFORTE
.
(K
.
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