See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

RICHARD See also:

• RICHARD STANYHURST (1547-1618)

STANYHURST (1547-1618)  , See also:

• ENGLISH

English translator of See also:

• VIRGIL (PUBLIUS VERGILIUS MARC)
• VIRGIL, POLYDORE (c. 1470-1555)

Virgil, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• DUBLIN

Dublin in 1547 . His See also:

• FATHER

father was See also:

• RECORDER
• RECORDER, FIPPLE FLUTE

recorder of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city, and See also:

• SPEAKER

Speaker of the Irish See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House of See also:

• COMMONS

Commons in 1557, 1560 and 1568 . See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard was sent in 1563 to University See also:

• COLLEGE (Collegium)

College, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, and took his degree five years later . At Oxford he became intimate with See also:

• EDMUND
• EDMUND, or EADMUND (c. 980-1016)
• EDMUND, SAINT [EDMUND RICE] (d. 1240)

Edmund Campian . After leaving the university he studied See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law at Furnival's See also:

• INN

Inn and See also:

• LINCOLN
• LINCOLN, ABRAHAM (1809-1865)
• LINCOLN, EARLS OF

Lincoln's Inn . He contributed in 1557 to See also:

• HOLINSHED (or HOLLINGSIIEAD), RAPHAEL (d. c. 158o)

Holinshed's See also:

• CHRONICLES, BOOKS OF

Chronicles " a playne and perfecte description " of See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland, and a See also:

• HISTORY

history of the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country during the reign of See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry VIII., which were severely criticized in Barnabe See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

Rich's New Description of Ireland (161o) as a misrepresentation of Irish affairs written from the English standpoint . After the See also:

• DEATH

death of his wife, See also:

• JANET, PAUL (1823—1899)

Janet Barnewall, in 1579, See also:

• STANYHURST, RICHARD (1547-1618)

Stanyhurst went to the See also:

• NETHERLANDS

Netherlands . After his second See also:

• MARRIAGE

marriage, which took See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place before 1585, with See also:

• HELEN

Helen See also:

• COPLEY, JOHN SINGLETON (1737—1815)

Copley, he became active in the See also:

• CATHOLIC (Gr. KcaBoXuK6s, general, universal)

Catholic cause . He spent some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in See also:

• SPAIN
• SPAIN (Espana)

Spain, ostensibly practising as a physician, but his real business seems to have been to keep See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip II. informed of the See also:

• STATE
• STATE, GREAT OFFICERS OF

state of Catholic See also:

• INTEREST

interest in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . After his wife's death in 1602 he took See also:

• HOLY

holy orders, and became See also:

• CHAPLAIN

chaplain to the See also:

• ARCH
• ARCH, JOSEPH (1826– )

arch-See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert in the Netherlands . He never returned to England, and died at See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels, according to See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

Wood, in 1618 . He translated into English The First Foure Bookes of Virgil his Aeneis (See also:

• LEIDEN

Leiden, 1582), to give See also:

• PRACTICAL

practical See also:

• PROOF (in M. Eng. preove, proeve, preve, &°c., from O. Fr . prueve, proeve, &c., mod. preuve, Late. Lat. proba, probate, to prove, to test the goodness of anything, probus, good)

proof of the feasibility of See also:

• GABRIEL (Heb. SKns, man of God)

Gabriel See also:

• HARVEY
• HARVEY, GABRIEL (c. 1545-1630)
• HARVEY, SIR GEORGE (1806-1876)
• HARVEY, WILLIAM (1578—1657)

Harvey's theory that classical rules of See also:

• PROSODY (Gr. rpovwSta)

prosody could be successfully applied to English See also:

• POETRY

poetry .

The See also:

• TRANSLATION

translation is an unconscious See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque of the See also:

• ORIGINAL

original in a See also:

• JARGON

jargon arranged in what the writer called hexameters . See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• NASHE (or NASH), THOMAS (1567-1601)

Nashe in his See also:

• PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

preface to See also:

• GREENE, GEORGE WASHINGTON (1811-1883)
• GREENE, MAURICE (1695-1755)
• GREENE, NATHANAEL (1742-1786)
• GREENE, ROBERT (c. 1560-1592)

Greene's Menaphon ridiculed this performance as his " heroicall poetrie, infired . . . with an See also:

• HEXAMETER

hexameter furie ... a patterne whereof I will propounde to your judgements . . . Then did he make See also:

• HEAVEN (0. Eng. hefen, heofon, heofone; this word appears in O.S. hevan; the High. Ger. word appears in Ger. Himmel, Dutch hemel; there does not seem to be any connexion between the two words, and the ultimate derivation of the word is unknown; the sugges

heaven's vault to rebounde, with rounce robble hobble Of ruffe raffe roaring, with thwick thwack thurlery bouncing." This is a See also:

• PARODY (Gr. s-apybia, literally a song sung beside, a comic parallel)

parody, but not a very extravagant one, of Stanyhurst's vocabulary and metrical methods . His son, See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William Stanyhurst (1602—1663), was a voluminous writer of Latin religious See also:

• WORKS

works, one of which, Dei immortalis in corpore "mortali patientis historia, was widely popular, and was translated into many See also:

• LANGUAGES

languages.usually rhyming, but always recurring, the See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of fixed re-See also:

• PETITION (Lat. for " seeking " or " praying ")

petition of See also:

• FORM (Lat. forma)

form being essential to it . At the See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close of the 16th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century the word See also:

• STANZA (Low Lat. stantia, Ital. stantia or stanza)

stanza began to be used with an See also:

• ADJECTIVE (from the Lat. adjectives, added)

adjective to designate a particular See also:

• SPECIES

species, as the Spenserian stanza," because See also:

• SPENSER, EDMUND (c. 1552-1599)
• SPENSER, JOHN (1559-1614)

Spenser had invented that nine-lined form for his Faerie See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen; or " See also:

• ARIOSTO, LODOVICO (1474-1533)

Ariosto's stanza " as See also:

• DRAYTON, MICHAEL (1563-1631)

Drayton de-scribed what is now known as ottava rima, because Ariosto had written prominently in it . By " stanzaic law" is meant the law which regulates the form and See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession of stanzas . The stanza is a See also:

• MODERN

modern development of the See also:

• STROPHE (Gr. o-rpod>)

strophe of the ancients, modified by the requirements of See also:

• RHYME

rhyme .