See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• DANIEL, GABRIEL (1649-1728)

DANIEL See also:

• DANIEL STEIBELT (c. 1764-1823)

STEIBELT (c. 1764-1823)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German pianist and composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at the earliest in 1764 or 1765 in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin . He was indebted to the See also:

• CROWN

crown See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince See also:

• FREDERICK
• FREDERICK (Mod. Ger. Friedrich; Ital. Federigo; Fr. Frederic and Federic; M.H.G. Friderich; O.H.G. Fridurih, " king or lord of peace," from O.H.G. fridu, A.S. frith, " peace," and rfh " rich," " a ruler," for derivation of which see HENRY)

Frederick See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William for his musical See also:

• EDUCATION

education . Very little is known of his See also:

• ARTISTIC

artistic See also:

• LIFE

life before 1790, when he settled in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris and attained See also:

• GREAT

great popularity as a virtuoso by means of a See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

pianoforte See also:

• SONATA (From Ital. sonare, to sound)

sonata called La Coquette, which he composed for See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• MARIE

Marie Antoinette; his dramatic See also:

• OPERA (Italian for " work ")

opera entitled Romeo et Juliette, produced at the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre • See also:

• FEYDEAU

Feydeau in 1793, was equally successful . In 1796 See also:

• STEIBELT, DANIEL (c. 1764-1823)

Steibelt removed to See also:

• LONDON

London, where his pianoforte-playing attracted great See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention . In 1798 he produced his See also:

• CONCERTO (Lat. concertus, from certare, to strive, also con-fused with concentus)

concerto (No . 3, in E See also:

• FLAT (a modification of O. Eng. flet, an obsolete word of Teutonic origin, meaning the ground beneath the feet)

flat) containing the famous " See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

Storm See also:

• RONDO

Rondo "—a See also:

• WORK

work that ensured his popularity . In the following See also:

• YEAR

year Steibelt started on a professional tour in See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany; and, after playing with some success in See also:

• HAMBURG

Hamburg, See also:

• DRESDEN

Dresden, See also:

• PRAGUE (Ger. Prag; Bohemian Praha)

Prague and Berlin, he arrived in May 1800 at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, where he challenged See also:

• BEETHOVEN, LUDWIG VAN (1770-1827)

Beethoven to a trial of skill . His discomfiture was See also:

• COMPLETE

complete and he retired to Paris . During the next eight years he lived alternately in that See also:

• CITY (through Fr. cite, from Lat. civitas)

city and in London . In 18o8 he was invited by the See also:

• EMPEROR (Fr. empereur, from the Lat. imperator)

emperor See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander to St See also:

• PETERSBURG

Petersburg, succeeding See also:

• BOIELDIEU, FRANCOIS ADRIEN (1775-1834)

Boieldieu as director of the royal opera in 1811 . Here he resided in the enjoyment of a lucrative See also:

• APPOINTMENT, POWER OF

appointment until his See also:

• DEATH

death on the 20th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1823 . Besides his dramatic See also:

• MUSIC

music, Steibelt See also:

• LEFT

left behind him an enormous number of compositions for the pianoforte .

His playing, though brilliant, was wanting in the 'higher qualities which characterized that of his contemporaries, See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• CRAMER, JOHANN BAPTIST (1771—1858)
• CRAMER, JOHN ANTONY (1793—1848)
• CRAMER, KARL VON (1818—r9o2)

Cramer and Muzio See also:

• CLEMENTI, MUZIO (c. 1751-1832)

Clementi; but he was gifted with talents of a high See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order; and the reputation he enjoyed was fully deserved .