See also:

• ALFRED

ALFRED See also:

• STEVENS,
• STEVENS, A
• STEVENS, ALFRED (1818-1875)
• ALFRED STEVENS (1828-1906)
• STEVENS, HENRY (1819—1886)

STEVENS (1828-1906)  , Belgian painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels on the 1 rth of May 1828 . His See also:

• FATHER

father, an old officer in the service of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William I., See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of the See also:

• NETHERLANDS

Netherlands, was passionately fond of pictures, and readily allowed his son to draw in the studio of See also:

• FRANCOIS (1558-1614)

Francois Navez, director of the Brussels See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . In 1844 See also:

• STEVENS,
• STEVENS, A
• STEVENS, ALFRED (1818-1875)
• STEVENS, ALFRED (1828-1906)
• STEVENS, HENRY (1819—1886)

Stevens went to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris and worked under the instructing of Camille Roqueplan, a friend of his father's; he also attended the classes at the Ecole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux Arts, where See also:

• INGRES, JEAN AUGUSTE DOMINIQUE (178o-1867)

Ingres was then See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor . In 1849 he painted at Brussels his first picture, " A Soldier in Trouble," and in the same See also:

• YEAR

year went back to Paris, where he definitely settled, and exhibited in the Salons . He then painted " Ash-Wednesday See also:

• MORNING

Morning," " Burghers and See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

Country See also:

• PEOPLE

People finding at Daybreak the See also:

• BODY

Body of a Murdered See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

Gentleman," " An Artist in Despair," and " The Love of See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

Gold." In 1855 he exhibited at the See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp See also:

• SALON

Salon a little picture called " At See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

Home," which showed the painter's See also:

• BENT
• BENT (E1. BENI)
• BENT, JAMES THEODORE (1852–1897)

bent towards depicting ladies of See also:

• FASHION (adapted from Fr. facon, agon, Lat. factio, making, facere, to do or make)

fashion . At the See also:

• GREAT

Great See also:

• EXHIBITION

Exhibition in Paris, 1855, his contributions were remarkable, but in 18,57 he returned to graceful See also:

• FEMALE

female subjects, and his path thenceforth was clear before him . At the Great Exhibition of 1867 he was seen in a brilliant variety of See also:

• WORKS

works in the manner he had made his own, sending eighteen exquisite paintings; among them were the " See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady in See also:

• PINK

Pink " (in the Brussels See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery), " See also:

• CONSOLATION (Fr. consolation, Lat. consolatio, from consolari, to assuage, comfort, console)

Consolation," " Every See also:

• GOOD, JOHN MASON (1764-1827)

Good See also:

• FORTUNE, ROBERT (1813-188o)

Fortune," " See also:

• MISS

Miss Fauvette," " Ophelia," and " See also:

• INDIA
• INDIA, FRENCH

India in Paris." At the Paris See also:

• INTERNATIONAL, THE

International Exhibitions of 1878 and 1889, and at the See also:

• HISTORICAL

Historical Exhibition of Belgian See also:

• ART

Art, Brussels, 188o, he exhibited " The Four Seasons " (in the See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace at Brussels), " The Parisian See also:

• SPHINX (Gr. Q¢lyyea', to draw tight, squeeze)

Sphinx," " The See also:

• JAPANESE

Japanese See also:

• MASK (Fr. masque, apparently from med. Lat. mascus, masca, spectre, through Ital. maschera, Span. mascara)

Mask," " The Japanese Robe," and " The Lady-See also:

• BIRD

bird " (Brussels Gallery) . He died on the 24th of See also:

• AUGUST (originally Sextilis)

August 1906 . " See also:

• ALFRED

Alfred Stevens is one of the See also:

• RACE

race of great painters," wrote Camille See also:

• LEMONNIER, ANTOINE LOUIS CAMILLE (1844– )
• LEMONNIER, PIERRE CHARLES (1715—1799)

Lemonnier, " and like them he takes immense pains with the See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution of his See also:

• WORK

work." The example of his finished technique was salutary, not merely to his brethren in See also:

• BELGIUM
• BELGIUM (Fr. Belgique; Flem. Belgic)

Belgium, but to many See also:

• FOREIGN

foreign painters who received encouragement from the study of his method . The See also:

• BROTHER

brother of Alfred Stevens, See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph Stevens, was a great painter of See also:

• DOGS, ISLE OF

dogs and See also:

• DOG

dog See also:

• LIFE

life . See J. du Jardin, L'See also:

• ARI

Ari flamand; Camille Lemonnier, Histoire des beaux arts en Belgique .