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See also: English musical composer, was See also: born in See also: London in 1763
.
His See also: father, Stefano See also: Storace, an See also: Italian contrabassist, taught him the See also: violin so well that at ten years old he played successfully the most difficult See also: music of the See also: day
.
After completing his See also: education at the Conservatorio di Sant' Onofrio, at Naples, he produced his first See also: opera, Gli Sposi malcontenti, at Vienna, in 1785
.
Here he made the acquaintance of Mozart, in whose Nozze di See also: Figaro his See also: sister, Anna Selina Storace, first sang the See also: part of Susanna
.
Here also he produced a second opera, Gli Equivoci, founded on See also: Shakespeare's See also: Comedy of Errors, and a " Singspiel " entitled Der See also: Doctor and der Apotheleer
.
But his greatest triumphs were achieved in See also: England, whither he returned in 1787
.
After creating a favourable impression by bringing out his " Singspiel " at See also: Drury Lane, under the title of The Doctor and the Apothecary, Storace attained his first See also: great success in 1789, in The Haunted Tower, an opera which ran for fifty nights in succession
.
No See also: Song, No Supper was equally successful in x790; and The Siege of Belgrade scarcely less so in 1791
.
The music of The Pirates, produced in 1792, was partly adapted from Gli Equivoci, and is remarkable as affording one of the earliest instances of the introduction of a See also: grand See also: finale into an English opera
.
These See also: works were followed by some less successful productions; but The Cherokee (1794) and The Three and the Deuce (1795) were very favourably received, and the music to Colman's See also: play, The Iron Chest, first performed on the 12th of See also: March 1796, created even a greater sensation than The Haunted Tower
.
This was Storace's last
See also: work
.
He caught cold at the rehearsal, and died on the 19th of March 1796
.
The character of Storace's music is pre-eminently English; but his early intercourse with Mozart gave him an immenseSee also: advantage over his contemporaries in his management of the orchestra, while for the excellence of his writing for the See also: voice he was *no doubt indebted to the vocalization of his sister Anna
.
This lady was born in London in 1766, completed her education at Venice under Sacchini, sang for Mozart at Vienna, and first appeared at the See also: King's Theatre in London in 1787
.
After contributing greatly to the success of The Haunted Tower and her
See also: brother's later operas, she crowned a long and brilliant career by winning great laurels at the See also: Handel See also: Commemoration at See also: Westminster Abbey in 1791, retired from public See also: life in 18o8, and died on the 24th of See also: August 1817
.
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