See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

THOMAS See also:

• STOTHARD, CHARLES ALFRED (1786—1821)
• THOMAS STOTHARD (1755—1834)

STOTHARD (1755—1834)  , See also:

• ENGLISH

English subject painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 17th of See also:

• AUGUST (originally Sextilis)

August 1755, the son of a well-to-do innkeeper in See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

Long See also:

• ACRE
• ACRE, or AQUIRY

Acre . Being a delicate See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

child, he was sent at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of five to a relative in See also:

• YORKSHIRE

Yorkshire, and attended school as Acomb, and afterwards at Tadcaster and at See also:

• ILFORD [GREAT ILFORD]

Ilford in See also:

• ESSEX
• ESSEX, ARTHUR CAPEL
• ESSEX, EARLS OF
• ESSEX, KINGDOM OF
• ESSEX, ROBERT DEVEREUX
• ESSEX, ROBERT DEVEREUX, 2ND2 EARL OF (1566-1601)
• ESSEX, WALTER DEVEREUX, IST2 EARL OF (1541–1576)

Essex . Showing a turn for See also:

• DRAWING

drawing he was apprenticed to a draughtsman of patterns for brocaded silks in See also:

• SPITALFIELDS

Spitalfields, and during his leisure See also:

• HOURS, CANONICAL

hours he attempted illustrations to the See also:

• WORKS

works of his favourite poets . Some of these drawings were praised by See also:

• HARRISON
• HARRISON, BENJAMIN
• HARRISON, FREDERIC (1831— )
• HARRISON, JOHN (1693—1776)
• HARRISON, THOMAS (16o6-166o)
• HARRISON, THOMAS ALEXANDER (1853– )
• HARRISON, WILLIAM (1534–1593)
• HARRISON, WILLIAM HENRY (1773–1841)

Harrison, the editor of the Novelist's See also:

• MAGAZINE

Magazine, and; See also:

• STOTHARD, CHARLES ALFRED (1786—1821)
• STOTHARD, THOMAS (1755—1834)

Stothard's See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master having died, he resolved to devote himself to See also:

• ART

art . In 1 778 he became a student of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, of which he was elected See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate in 1792 and full academician in 1794 . In 1812 he was appointed librarian, having served as assistant for two years . He died in London on the 27th of See also:

• APRIL

April 1834 . Among his earliest See also:

• BOOK

book illustrations are plates engraved for See also:

• OSSIAN

Ossian and for See also:

• BELL
• BELL, ALEXANDER MELVILLE (1819—1905)
• BELL, ANDREW (1753—1832)
• BELL, GEORGE JOSEPH (1770-1843)
• BELL, HENRY (1767-1830)
• BELL, HENRY GLASSFORD (1803-1874)
• BELL, JACOB (1810-1859)
• BELL, JOHN (1691-178o)
• BELL, JOHN (1763-1820)
• BELL, JOHN (1797-1869)
• BELL, ROBERT (1800-1867)
• BELL, SIR CHARLES (1774—1842)

Bell's Poets; and in 178o he became a See also:

• REGULAR

regular contributor to the Novelist's Magazine, for which he executed one See also:

• HUNDRED

hundred and See also:

• FORTY

forty-eight designs, including his eleven admirable illustrations to Peregrine See also:

• PICKLE

Pickle and his graceful subjects from Clarissa and See also:

• SIR

Sir See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles Grandison . He contentedly de-signed plates for See also:

• POCKET

pocket-books, tickets for concerts, illustrations to almanacs, portraits of popular players—and into even the slightest and most trivial sketches he infused a See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace and distinction which render them of value to the collectors of the See also:

• PRESENT

present See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . Among his more important See also:

• SERIES (a Latin word from serere, to join)

series are the two sets of illustrations to See also:

• ROBINSON, EDWARD (1794–1863)
• ROBINSON, HENRY CRABB (1777–1867)
• ROBINSON, JOHN (1575–1625)
• ROBINSON, JOHN (1650-1723)
• ROBINSON, JOHN THOMAS ROMNEY (1792–1882)
• ROBINSON, MARY [" Perdita "] (1758–1800)
• ROBINSON, SIR JOHN BEVERLEY, BART
• ROBINSON, SIR JOSEPH BENJAMIN (1845– )
• ROBINSON, THEODORE (1852-1896)

Robinson Crusoe, one for the New Magazine and one for Stockdale's edition, and the plates to The See also:

• PILGRIM

Pilgrim's Progress (1788), to See also:

• HARDING, CHESTER (1792-1866)
• HARDING, JAMES DUFFIELD (1798-1863)

Harding's edition of See also:

• GOLDSMITH
• GOLDSMITH, LEWIS (c. 1763–1846)
• GOLDSMITH, OLIVER (1728–1774)

Goldsmith's See also:

• VICAR (Lat. vicarius, substitute)

Vicar of See also:

• WAKEFIELD
• WAKEFIELD, GILBERT (1756-1801)

Wakefield (1792), to The See also:

• RAPE
• RAPE (from Lat. rapere, to seize)
• RAPE (Lat. rapum or rapa, turnip)

Rape of the See also:

• LOCK (from the O. Eng. loc.; the word appears, in different forms, in many Teutonic languages, but with such various meanings as " hole," Ger. Loch, " lid," Swed. lock, &c.; probably the original was a root meaning " to enclose ")
• LOCK, MATTHIAS

Lock (1798), to the works of See also:

• GESSNER,

Gessner (1802), to See also:

• COWPER, WILLIAM (1731-1800)
• COWPER, WILLIAM COWPER, 1ST EARL (c. 1665-1723)

Cowper's Poems (1825), and to The Decameron; while his figure-subjects in the superb See also:

• EDITIONS

editions of See also:

• ROGER (d. 1139)
• ROGER (d. 1181)

Roger's See also:

• ITALY
• ITALY (Italia)

Italy (1830) and Poems (1834) prove that even in latest age his See also:

• FANCY (a shortened form, dating from the 15th century, of " fantasy," which is derived through the O. Fr. fantasie, modern fantaisie. from the Latinized form of the Gr. cbavraoia, Oavrai'ecv, Oat Pais, to show)

fancy was still unexhausted, and his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand hardly at all enfeebled . He is at his best in subjects of a domestic or a gracefully ideal sort; the heroic and the tragic were beyond his See also:

• POWERS, HIRAM (1805-1873)

powers . The designs by Stothard were estimated by R .

N . Wornum to number five thousand, and of these about three thousand have been engraved . His oil pictures are usually small in See also:

• SIZE

size, and rather sketchy in handling . Their colouring is often See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich and glowing, being founded upon the practice of See also:

• RUBENS, PETER PAUL (1577-164o)

Rubens, of whom Stothard was a See also:

• GREAT

great admirer . The " Vintage," perhaps his most important oil See also:

• PAINTING

painting, is in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery . He was a contributor to See also:

• BOYDELL, JOHN (1719-1804)

Boydell's See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare Gallery, but his best-known painting is the " Procession of the See also:

• CANTERBURY
• CANTERBURY, CHARLES

Canterbury Pilgrims," also in the National Gallery, the See also:

• ENGRAVING

engraving from which, begun by See also:

• LUIGI

Luigi and continued by Niccolo See also:

• SCHIAVONETTI, LUIGI (1765-181o)

Schiavonetti and finished by See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James See also:

• HEATH
• HEATH, BENJAMIN (1704-1766)
• HEATH, WILLIAM (1737—1814)

Heath, attained an immense popularity . The See also:

• COMMISSION (from Lat. commissio, committere)

commission for this picture was given to Stothard by R . H . Cromek, and was the cause of a See also:

• QUARREL

quarrel with his friend See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• BLAKE, EDWARD (1833– )
• BLAKE, ROBERT (1599-1657)
• BLAKE, WILLIAM (1757-1827)

Blake . It was followed by a See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

companion See also:

• WORK

work, the " Flitch of See also:

• BACON
• BACON (through the O. Fr. bacon, Low Lat. baco, from a Teutonic word cognate with " back," e.g. O. H. Ger. pacho, M. H. Ger. backe, buttock, flitch of bacon)
• BACON, FRANCIS (BARON VERULAM, VISCOUNT ST ALBANS) (1561-1626)
• BACON, JOHN (1740–1799)
• BACON, LEONARD (1802–1881)
• BACON, ROGER (c. 1214-c. 1294)
• BACON, SIR NICHOLAS (1509-1579)

Bacon," which was See also:

• DRAWN

drawn in See also:

• SEPIA (Gr. a iria, cuttlefish)

sepia for the engraver but was never carried out in See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour . In addition to his easel pictures, Stothard adorned the See also:

• GRAND

grand See also:

• STAIRCASE

staircase of See also:

• BURGHLEY, WILLIAM CECIL, BARON (1521-1598)

Burghley See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House, near See also:

• STAMFORD
• STAMFORD, HENRY GREY

Stamford, with subjects of See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

War, Intemperance, and the Descent of See also:

• ORPHEUS

Orpheus in See also:

• HELL (0. Eng. hel, a Teutonic word from a root meaning " to cover," cf. Ger. Holle, Dutch hel)

Hell (1799-1803); the See also:

• MANSION (through O. Fr. mansion, mod. maison, from Lat. mansio, dwelling-place, stage on a journey; manere, to remain)

mansion of Hafod, See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

North See also:

• WALES (Cymru, Gwalia, Cambria)

Wales, with a series of scenes from See also:

• FROISSART, JEAN (1338-1410?)

Froissart and See also:

• MONSTRELET, ENGUERRAND DE (c. 1400-1453)

Monstrelet (181o); the See also:

• CUPOLA (Ital., from Lat. cupula, small cask or vault, cupa, tub)

cupola of the upper See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall of the See also:

• ADVOCATES, FACULTY OF

Advocates' Library, See also:

• EDINBURGH

Edinburgh (now occupied by the Signet Library), with See also:

• APOLLO (Gr. 'A2r6XXwv,'Airkkhwv)

Apollo and the See also:

• MUSES, THE (Gr. Mo6o-at, the thinkers)

Muses, and figures of poets, orators, &c . (1822); and he prepared designs for a See also:

• FRIEZE

frieze and other decorations for See also:

• BUCKINGHAM
• BUCKINGHAM, EARLS, MARQUESSES AND DUKES OF
• BUCKINGHAM, FIRST DUKE
• BUCKINGHAM, GEORGE VILLIERS, 1ST DUKE 0E1
• BUCKINGHAM, GEORGE VILLIERS, 2ND DUKE 0E1 (1628-1687)
• BUCKINGHAM, HENRY STAFFORD, 2ND DUKE OF3 (1454-1483)
• BUCKINGHAM, JAMES SILK (1786-1855)

Buckingham See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace, which were not executed, owing to the See also:

• DEATH

death of See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George IV .

He also designed the magnificent See also:

• SHIELD (0. Eng. scild, cf. Du. and Ger. Schild, Dan. Skjold; the origin is doubtful, but may be referred to the root seen in " shell " or " scale "; another suggestion connects it with Icel. skjalla, to clash, rattle; it is not connected with the Indo-Ger
• SHIELD, WILLIAM (1748—1829)

shield presented to the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• WELLINGTON
• WELLINGTON, ARTHUR WELLESLEY, 1ST DUKE OF (1769-1852)

Wellington by the merchants of London, and executed with his own hand a series of eight etchings from the various subjects which adorned it . In the See also:

• BRITISH

British Museum is a collection, in four volumes, of engravings of Stothard's works, made by See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert Balmanno . An interesting but most indiscriminately eulogistic See also:

• BIOGRAPHY (from the Gr. (3ios, life, and yp&4 , writing)

biography of Stothard, by his daughter-in-See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law, Mrs See also:

• BRAY
• BRAY, SIR REGINALD (d. 1503)
• BRAY, THOMAS (1656-1730)

Bray, was published in 1851 . A . C . Coxhead's See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas Stothard, R.A., an Illustrated Mono-graph (1906), contains a See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• BIOGRAPHICAL

biographical See also:

• CHAPTER (a shortened form of chapiter, a word still used in architecture for a capital; derived from O. Fr. chapitre, Lat. capitellum, diminutive of caput, head)

chapter, and an accurately dated See also:

• SUMMARY

summary of the various books and See also:

• PERIODICALS

periodicals illustrated by Stothard ; see also See also:

• AUSTIN
• AUSTIN, ALFRED
• AUSTIN, JOHN (179o-1859)
• AUSTIN, SARAH (1793-1867)
• AUSTIN, STEPHEN FULLER (1793-1836)

Austin See also:

• DOBSON, HENRY AUSTIN (184o- )
• DOBSON, WILLIAM (16ro-1646)

Dobson, Eighteenth See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

Century Vignettes, 1st series (1892) .