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See also:SIR See also:ROBERT See also:STRANGE (1721-1792)
, Scottish See also:line engraver, descended from the Scottish See also:family of See also:Strange, or See also:Strang, of Balca.See also:sky, See also:Fife, was See also:born in the mainland of See also:Orkney, on the 14th of See also:July 1721
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In his youth he spent some See also:time in an See also:attorney's See also:office; but, having manifested a See also:taste for See also:drawing, he was apprenticed, in ,1735, to See also:Richard See also: The plates were engraved from red See also:chalk drawings by See also:Van Rymsdyk, now preserved in the Hunterian Museum, See also:Glasgow, and two of them were executed with great skill by Strange's own See also:hand . By his plates of the " Magdalen " and " See also:Cleopatra," engraved after Guido in 1753, he at once established his professional reputation . He was invited in 1759 to engrave the portraits of the See also:prince of See also:Wales and See also:Lord See also:Bute, by See also:Allen See also:Ramsay, but declined, on the ground of the insufficient remuneration offered and of the pressure of more congenial work after the productions of the See also:Italian masters . His refusal was attributed to his Jacobite proclivities, and it led to an acrimonious See also:correspondence with Ramsay, and to the loss, for the time, of royal patronage . In 176o Strange started on a See also:long-meditated tour in See also:Italy . He studied in See also:Florence, See also:Naples, See also:Parma, See also:Bologna, and See also:Rome, executing innumerable drawings, of which many—the " See also:Day " of See also:Correggio, the " See also:Danae " and the " See also:Venus and See also:Adonis " of See also:Titian, the " St See also:Cecilia " of See also:Raphael, and the See also:Barberini " Magdalen " of Guido, &c.—were afterwards reproduced by his burin . On the See also:Continent he was received with great distinction, and he was elected a member of the See also:academies of Rome, Florence, Parma and Paris . He See also:left Italy in 1764, and, having engraved in the See also:French See also:capital the " See also:Justice " and the " Meekness " of Raphael, from the Vatican, he carried them with him to London in the following year . The See also:rest of his life was spent mainly in these two cities, in the diligent See also:prosecution of his See also:art . In 1766 he was elected a member of the Incorporated Society of Artists, and in 1775, piqued by the exclusion of engravers from the Royal Academy, he published an attack on that See also:body, entitled An Enquiry into the Rise and Progress of the Royal Academy of Arts at London, and prefaced by a long See also:letter to Lord Bute . In 1787 he engraved See also:West's " See also:Apotheosis of the Princes Octavius and See also:Alfred," and was rewarded with the See also:honour of kinghthood . He died in London on the 5th of July 1792 .
After his See also:death a splendid edition of reserved proofs of his engravingswas issued; and a See also:catalogue of his See also:works, by See also: |
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