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SIR ROBERT STRANGE (1721-1792)

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Originally appearing in Volume V25, Page 983 of the 1911 Encyclopedia Britannica.
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SIR See also:ROBERT See also:STRANGE (1721-1792)  , Scottish See also:line engraver, descended from the Scottish See also:family of See also:Strange, or See also:Strang, of Balca.See also:sky, See also:Fife, was See also:born in the mainland of See also:Orkney, on the 14th of See also:July 1721 . In his youth he spent some See also:time in an See also:attorney's See also:office; but, having manifested a See also:taste for See also:drawing, he was apprenticed, in ,1735, to See also:Richard See also:Cooper, an engraver is See also:Edinburgh . After leaving Cooper in 1741 he started on his own See also:account as an engraver, and had attained a See also:fair position when, in 1745, he joined the Jacobite See also:army as a member of the See also:corps of See also:life-See also:guards . He engraved a See also:half-length of the See also:Young Pre-See also:tender, and also etched plates for a See also:bank-See also:note designed for the See also:payment of the troops . He was See also:present at the See also:battle of See also:Culloden, and after the defeat remained in hiding in the See also:Highlands, but ultimately returned to Edinburgh, where, in 1747, he married See also:Isabella, only daughter of See also:William Lumisden, son of a See also:bishop of Edinburgh . In the following See also:year he proceeded to See also:Rouen, and there studied drawing under J . B . Descamps, carrying off the first See also:prize in the See also:Academy of See also:Design . In 1749 he removed to See also:Paris, and placed himself under the celebrated Le Bas . It was from this See also:master that he learned the use of the dry point, an See also:instrument which he greatly improved and employed with excellent effect in his own engravings . In 1750 Strange returned to See also:England . Presently he settled in See also:London along with his wife and daughter, and superintended the illustrations of Dr William See also:Hunter's See also:great See also:work on the Gravid Uterus, published in 1774 .

The plates were engraved from red See also:

chalk drawings by See also:Van Rymsdyk, now preserved in the Hunterian Museum, See also:Glasgow, and two of them were executed with great skill by Strange's own See also:hand . By his plates of the " Magdalen " and " See also:Cleopatra," engraved after Guido in 1753, he at once established his professional reputation . He was invited in 1759 to engrave the portraits of the See also:prince of See also:Wales and See also:Lord See also:Bute, by See also:Allen See also:Ramsay, but declined, on the ground of the insufficient remuneration offered and of the pressure of more congenial work after the productions of the See also:Italian masters . His refusal was attributed to his Jacobite proclivities, and it led to an acrimonious See also:correspondence with Ramsay, and to the loss, for the time, of royal patronage . In 176o Strange started on a See also:long-meditated tour in See also:Italy . He studied in See also:Florence, See also:Naples, See also:Parma, See also:Bologna, and See also:Rome, executing innumerable drawings, of which many—the " See also:Day " of See also:Correggio, the " See also:Danae " and the " See also:Venus and See also:Adonis " of See also:Titian, the " St See also:Cecilia " of See also:Raphael, and the See also:Barberini " Magdalen " of Guido, &c.—were afterwards reproduced by his burin . On the See also:Continent he was received with great distinction, and he was elected a member of the See also:academies of Rome, Florence, Parma and Paris . He See also:left Italy in 1764, and, having engraved in the See also:French See also:capital the " See also:Justice " and the " Meekness " of Raphael, from the Vatican, he carried them with him to London in the following year . The See also:rest of his life was spent mainly in these two cities, in the diligent See also:prosecution of his See also:art . In 1766 he was elected a member of the Incorporated Society of Artists, and in 1775, piqued by the exclusion of engravers from the Royal Academy, he published an attack on that See also:body, entitled An Enquiry into the Rise and Progress of the Royal Academy of Arts at London, and prefaced by a long See also:letter to Lord Bute . In 1787 he engraved See also:West's " See also:Apotheosis of the Princes Octavius and See also:Alfred," and was rewarded with the See also:honour of kinghthood . He died in London on the 5th of July 1792 .

After his See also:

death a splendid edition of reserved proofs of his engravingswas issued; and a See also:catalogue of his See also:works, by See also:Charles See also:Blanc, was published in 1848 by See also:Rudolph Weigel of See also:Leipzig, forming See also:part of Le Graveur en faille See also:douce . See See also:Memoirs of See also:Sir See also:Robert Strange, Knt., and his See also:Brother-in-See also:law See also:Andrew Lumisden, by See also:James Dennistoun of Dennistoun (1855) .

End of Article: SIR ROBERT STRANGE (1721-1792)
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