See also:

• LUDWIG, KARL FRIEDRICH WILHELM (1816—1895)
• LUDWIG, OTTO (1813-1865)

LUDWIG See also:

• LUDWIG STRAUS (1835-1899)

STRAUS (1835-1899)  , See also:

• AUSTRIAN

Austrian violinist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PRESSBURG (Hung. Pozsony, Lat. Posonium)

Pressburg on the 28th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1835 . He studied at the See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna Conservatorium from 1843 to 1848, as a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of Bohm; made his first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance in 1850, and five years afterwards made a tour in See also:

• ITALY
• ITALY (Italia)

Italy; in 1857 he became acquainted with his lifelong friend, the 'cellist See also:

• PIATTI, CARLO ALFREDO (1822-1901)

Piatti, and toured with him in See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany and See also:

• SWEDEN
• SWEDEN [Sverige]
• SWEDEN, NORWAY AND

Sweden . From 186o to 1864 he was See also:

• CONCERT (through the French from Lat. con-, with, and certare, to strive)

concert-meister at See also:

• FRANKFORT

Frankfort, and during these years he visited See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England frequently, in the See also:

• YEAR

year 1864 taking up his See also:

• RESIDENCE (Latin residere, to remain behind, to dwell, reside)

residence there . He was for many years See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

leader of See also:

• HALLE (known as HALLE-AN-DER-SAALE, t0 distinguish it from the small town of Halle in Westphalia)
• HALLE, SIR CHARLES (originally KARL HALLE) (1819-1895)

Halle's See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra in See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester, and a See also:

• FAMILIAR (through the Fr. familier, from Lat. familiaris, of or belonging to the familia, family)

familiar figure at the Popular Concerts in See also:

• LONDON

London . He was first See also:

• VIOLIN

violin in the See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen's See also:

• BAND

Band . He retired, owing to See also:

• ILL

ill See also:

• HEALTH

health, in 1893, and from that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time till his See also:

• DEATH

death, on the 23rd of See also:

• OCTOBER

October 1899, lived at See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge . His playing, whether of violin or See also:

• VIOLA [Fr. viole, Ger. Bratsche, Ital. viola, alto]

viola, had very See also:

• GREAT

great qualities; he was perfect in ensemble, and his See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power of self-effacement was of a piece with his See also:

• GENTLE (through the Fr. gentil, from Lat. gentilis, belonging to the same gens, or family)

gentle disposition and with the pure love of See also:

• ART

art which distinguished him through See also:

• LIFE

life . A more lovable nature never existed, and his quiet See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence on the art of his time was very great .