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See also: term in' versification which properly means a turn, as from one See also: foot to another, or from one See also: side of a See also: chorus to the other
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In its precise choral significance a See also: strophe was a definite section in the structure of an ode, when, as in See also: Milton's famous phrase in the preface to Samson Agonistes, " strophe, See also: antistrophe and See also: epode were a kind of stanzas framed only for the See also: music." In a more general sense the strophe is a collection of various prosodical periods combined into a structural unit
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In See also: modern See also: poetry the strophe usually becomes identical with the stanza, and it is the arrangement and the recurrence of the rhymes which give it its character
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But the ancients called a combination of verse-periods a See also: system, and gave the name strophe to such a system only when it was repeated once or more in unmodified See also: form
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It is said that See also: Archilochus first created the strophe by binding together systems of two or three lines
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But it was the See also: Greek ode-writers who introduced the practice of strophe-writing on a large See also: scale, and the See also: art was attributed to See also: Stesichorus, although it is probable that earlier poets were acquainted with it
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The arrangement of an ode in a splendid and consistent artifice of strophe, See also: anti-strophe and epode was carried to its height by Pindar (see ODE)
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With the development of Greek See also: prosody, various See also: peculiar strophe-forms came into general acceptance, and were made celebrated by the frequency with which leading poets employed them
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Among these were the Sapphic, the Elegiac, the Alcaic and the Asclepiadean strophe, all of them prominent in Greek and Latin verse
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The briefest and the most See also: ancient strophe is the dactylic distich, which consists of two verses of the same class of rhythm, the second producing a melodic counterpart to the first
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The forms in modern See also: English verse which reproduce most exactly the impression aimed at by the ancient ode-strophe are the elaborate rhymed stanzas of such poems as the " See also: Nightingale " of See also: Keats or the " See also: Scholar-Gypsy " of See also: Matthew See also: Arnold (see VERSE)
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