See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

STYLE (from Gr. a-6'1ms, a See also:

• COLUMN (Lat. columna)

column; a different word from that used in literature, see below)  , in See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture, the See also:

• TERM

term used to differentiate between its characteristics in various countries and at different periods (see ARCHITECTURE) . The derivation of the word suggests that it was at first employed to distinguish the classic styles, in which the See also:

• COLUMN (Lat. columna)

column played the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• PART

part, and it would be more appropriate to speak of the Doric and Ionic styles than orders (q.v.) . In the See also:

• ASSYRIAN

Assyrian, See also:

• SASSANIAN

Sassanian and perhaps the See also:

• BYZANTINE

Byzantine styles, the column was a secondary feature of small importance, whereas the See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek, Doric and Ionic styles are based completely on the. column and the See also:

• WEIGHT

weight of the superstructure it was required to carry . In See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France the term is sometimes employed of the individuality of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character which is found in an artist's See also:

• WORK

work . For the use of the term See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style " in See also:

• BOTANY (from Gr. l3or6v17, plant; ,66vicety, to graze)

botany see See also:

• FLOWER (Lat. flos, floris; Fr. fleur)
• FLOWER, SIB

FLOWER .