See also:

• PIERRE

PIERRE See also:

• PIERRE SUBLEYRAS (1699-1749)

SUBLEYRAS (1699-1749)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Uses (See also:

• GARD

Gard) in 1699 . He See also:

• LEFT

left See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France for See also:

• ITALY
• ITALY (Italia)

Italy in 1728, having carried off the See also:

• GRAND

grand prix . He there painted for the Canons of See also:

• ASTI (anc. Hasta)

Asti " See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ's Visit to the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House of See also:

• SIMON, ABRAHAM (1622-1692)
• SIMON, JULES FRANCOIS (1814–1896)
• SIMON, RICHARD (1638–1712)
• SIMON, SIR JOHN (1816–1904)
• SIMON, THOMAS (c. 1623-1665)

Simon the Pharisee " (Louvre, engraved by See also:

• SUBLEYRAS, PIERRE (1699-1749)

Subleyras himself), a large See also:

• WORK

work, which made his reputation and procured his See also:

• ADMISSION

admission into the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of St See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke . See also:

• CARDINAL (Lat. cardinalis)

Cardinal Valenti See also:

• GONZAGA
• GONZAGA, THOMAZ ANTONIO (1744-1809)

Gonzaga next obtained for him the See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order for " See also:

• SAINT (lat. sanctus, " holy ")

Saint See also:

• BASIL (Russ. VASILY)

Basil and the See also:

• EMPEROR (Fr. empereur, from the Lat. imperator)

Emperor See also:

• VALENS

Valens " (small study in Louvre), which was executed in See also:

• MOSAIC (corresponding to Lat. opus musivum, from Gr. µovoeiov, an artificial grotto often decorated with mosaics; the word is only found in the sense of mosaic in late Greek, which generally uses k oXI yrlµa)

mosaic for St See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter's . See also:

• BENEDICT (BENEDICTUS)
• BENEDICT, SIR JULIUS (1804-1885)

Benedict XIV. and all the princes of See also:

• ROME
• ROME (Roma)

Rome sat to him, and the See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

pope himself commanded two See also:

• GREAT

great paintings—the " See also:

• MARRIAGE

Marriage of St See also:

• CATHERINE
• CATHERINE, SAINT

Catherine " and the " See also:

• ECSTASY (Gr. iarra(TLc, from i LarliU, put out of its place, alter)

Ecstasy of St Camilla "—which he placed in his private apartments . Subleyras shows greater individuality in his curious genre pictures, which he produced in considerable number (Louvre) . In his illustrations of La 1 See also:

• PARAMOUNT (Anglo-Fr. paramont, up above, par el mont, up or on top of the mountain)

Paramount and paravail are derived from the Latin ad montem and ad vallem, signifying the highest and lowest, respectively . See also:

• FONTAINE, PIERRE FRANCOIS LEONARD (1762-1853)

Fontaine and See also:

• BOCCACCIO, GIOVANNI (1313-1375)

Boccaccio his true relation to the See also:

• MODERN

modern era comes out; and his drawings from nature are often admirable (see one of a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man draped in a heavy cloak in the See also:

• BRITISH

British Museum) . Exhausted by overwork, Subleyras tried a See also:

• CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

change to See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples, but returned to Rome at the end of a few months to See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

die (May 28, 1749) . His wife, the celebrated See also:

• MINIATURE

miniature painter, Maria Felice Tibaldi, was See also:

• SISTER

sister to the wife of Tremolliere .