See also:

• EUGENE

EUGENE [See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

JosEPH See also:

• MARIE

MARIE] See also:

• EUGENE [JosEPH MARIE] SUE (1804—1857)

SUE (1804—1857)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French novelist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 20th of See also:

• JANUARY

January 1804 . He was the son of a distinguished surgeon in See also:

• NAPOLEON

Napoleon's See also:

• ARMY
• ARMY (from Fr. armee, Lat. armata)

army, and is said to have had the empress See also:

• JOSEPHINE (MARIE ROSE JOSEPHINE TASCHER DE LA PAGERIE) (1763–1814)

Josephine for godmother . See also:

• SUE, EUGENE [JosEPH MARIE] (1804—1857)

Sue himself acted as surgeon both in the See also:

• SPANISH

Spanish See also:

• CAMPAIGN

campaign undertaken by See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France in 1823 and at the See also:

• BATTLE

battle of See also:

• NAVARINO, BATTLE OF

Navarino (1828) . In 1829 his See also:

• FATHER

father's See also:

• DEATH

death put him in See also:

• POSSESSION
• POSSESSION (Lat. possessio, possidere, to possess)

possession of a considerable See also:

• FORTUNE, ROBERT (1813-188o)

fortune, and he settled in Paris . His See also:

• NAVAL

naval experiences supplied much of the materials of his first novels, Kernock le pirate (1830), Atar-See also:

• GULL (Welsh gwylan, Breton, goelann, whence Fr. goeland)
• GULL, SIR WILLIAM WITHEY

Gull (1831), La Salamandre (2 vols., 1832), La Coucaratcha (4 vols., 1832—1834), and others, which were composed at the height of the romantic See also:

• MOVEMENT

movement of 1830 . In the quasi-See also:

• HISTORICAL

historical See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style he wrote See also:

• JEAN

Jean See also:

• CAVALIER
• CAVALIER, JEAN (1681-1740)

Cavalier, ou See also:

• LES

Les Fanatiques See also:

• DES

des See also:

• CEVENNES (Lat. Cebenna or Gebenna)

Cevennes (4 vols., 1840) and Latreaumont (2 vols., 1837) . He was strongly affected by the Socialist ideas of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, and these prompted his most famous See also:

• WORKS

works: Les Mysteres de Paris (10 vols., 1842—1843) and Le Juif errant (ro vols., 1844—1845), which were among the most popular specimens of the See also:

• ROMAN

roman-See also:

• FEUILLETON (a diminutive of the Fr. feuillet, the leaf of a book)

feuilleton . He followed these up with some singular and not very edifying books: Les See also:

• SEPT

Sept peates capitaux (16 vols., 1847—1849), which contained stories to illustrate each See also:

• SIN
• SIN (O. Eng. syn: a common Teutonic word, cf. Dutch zonde, Ger. Siinde)

sin, Les Mysteres du peuple (1849—1856), which was suppressed by the See also:

• CENSOR (from Lat. censere, assess, estimate; in Gr. rt s ris)

censor in 1857, and several others, all on a very large See also:

• SCALE
• SCALE (1) A

scale, though the number of volumes gives an exaggerated See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of their length . Some of his books, among them the Juif errant and the Mysteres de Paris, were dramatized by himself, usually in collaboration with others . His See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of greatest success and popularity coincided with that of See also:

• ALEXANDRE, NOEL (NATALIS ALEXANDER) (1639-1724)

Alexandre See also:

• DUMAS, ALEXANDRE
• DUMAS, ALEXANDRE [" DUMAS FILS"] (1824-1895)
• DUMAS, GUILLAUME MATHIEU, COUNT (1753-1837)
• DUMAS, JEAN BAPTISTE ANDRE (1800-1884)

Dumas, with whom some writers have put him on an equality . Sue has neither Dumas's wide range of subject, nor, above all, his See also:

• FACULTY (through the French, from the Lat. facultas, ability to do anything, from facilis, easy, facere, to do; another form of the word in Lat. facilitas, facility, ease, keeps the original meaning)

faculty of conducting the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story by means of lively See also:

• DIALOGUE

dialogue; he has, however, a command of terror which Dumas seldom or never attained . From the See also:

• LITERARY

literary point of view his style is See also:

• BAD, BCD

bad, and his construction prolix .

After the revolution of 1848 he sat for Paris (the See also:

• SEINE
• SEINE (Lat. Sequana)
• SEINE, or SEAN (O. Fr. seigne, mod. seine, Lat. sagena, Gr. vaytivrl, a draw-net)

Seine) in the See also:

• ASSEMBLY, UNLAWFUL

Assembly from See also:

• APRIL

April 1850, and was exiled in consequence of his protest against the coup d'etat of the 2nd of See also:

• DECEMBER (Lat. decent, ten)

December 1851 . This See also:

• EXILE (Lat. exsilium or exilium, from exsul or exul, which is derived from ex, out of, and the root sal, to go, seen in salire, to leap, consul, &c.; the connexion with solum, soil, country is now generally considered wrong)

exile stimulated his literary See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production, but the works of his last days are on the whole much inferior to those of his See also:

• MIDDLE

middle period . Sue died at See also:

• ANNECY

Annecy (See also:

• SAVOY, HOUSE
• SAVOY, HOUSE OF

Savoy) on the 3rd of See also:

• AUGUST (originally Sextilis)

August 1857 .