See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

THOMAS See also:

• BARRY
• BARRY, ELIZABETH (1658—1713)
• BARRY, JAMES (1741—1806)
• BARRY, SIR CHARLES (1795-1860)
• BARRY, SIR REDMOND (1813-188o)
• BARRY, SPRANGER (1719-1777)

BARRY See also:

• SULLIVAN, JOHN (1740–1795)
• SULLIVAN, SIR ARTHUR SEYMOUR (1842—1900)
• THOMAS BARRY SULLIVAN (1824-1891)

SULLIVAN (1824-1891)  , Irish actor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BIRMINGHAM

Birmingham, and made his first See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance at See also:

• CORK
• CORK (perhaps through Sp. corcha from Lat. cortex, bark, but possibly connected with quercus, oak)
• CORK, RICHARD BOYLE

Cork about 184o . His earliest successes were in romantic See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama, for which his graceful figure and youthful See also:

• ENTHUSIASM

enthusiasm fitted him . His first See also:

• LONDON

London appearance was in 1852 in See also:

• HAMLET

Hamlet, and he was also successful as Angiolo in See also:

• MISS

Miss Vandenhoff's Woman's See also:

• HEART
• HEART, LUNG

Heart, See also:

• EVELYN, JOHN (1620-1706)

Evelyn in See also:

• MONEY

Money and Hardman in See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• LYTTON, EDWARD GEORGE EARLE LYTTON, BULWERLYTTON, 1ST BARON (1803-1873)
• LYTTON, EDWARD ROBERT

Lytton's Not so See also:

• BAD, BCD

Bad as we Seem . See also:

• CLAUDE, JEAN (1619-1687)

Claude Melnotte—with See also:

• HELEN

Helen See also:

• FAUCIT, HELENA SAVILLE (1817-1898)

Faucit as Pauline—was also a notable performance . A tour of See also:

• AMERICA

America in 18J7 preceded his going to See also:

• AUSTRALIA

Australia (1861) for six years, as actor and manager . He completed a trip See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

round the See also:

• WORLD

world in 1866 . From 1868–187o he managed the See also:

• HOLBORN

Holborn See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, where See also:

• BEVERLEY
• BEVERLEY, WILLIAM ROXBY (1814?-1889)

Beverley in The Gamester was one of his most powerful impersonations . Afterwards he travelled over the See also:

• UNITED

United States, See also:

• CANADA

Canada, Australia and See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . Among his later London performances were several Shakespearian parts, his best, perhaps, being See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard III . He was the Benedick of the See also:

• CAST (from the verb meaning " to throw "; the word is Scand. in origin, cf. Dan. kaste, and Swed. kasta; " cast " in Middle Eng. took the place of the A.S. weor pan, cf. Ger. werf en)

cast of Much See also:

• ADO (d. 874)

Ado About Nothing with which the See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare Memorial was opened at See also:

• STRATFORD
• STRATFORD, JOHN DE (d. 1348)

Stratford-on-See also:

• AVON

Avon . He died on the 3rd of May 1891 .