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SURPLICE (Late Lat. superpelliceum; F...

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Originally appearing in Volume V26, Page 137 of the 1911 Encyclopedia Britannica.
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SURPLICE (See also:Late See also:Lat. superpelliceum; Fr. super, over, and pellis, See also:fur; Span. sobrepellice; Fr. surplis; in Ital. See also:cotta and Ger. Chorrock, See also:choir coat)  , a liturgical vestment of the See also:Christian See also:Church . It is a See also:tunic of See also:white See also:linen or See also:cotton material, with wide or moderately wide sleeves, reaching—according to the See also:Roman use—barely to the hips and elsewhere in the churches of the Roman communion to the See also:knee It is usually decorated witl*See also:lace, but in See also:modern times—in See also:Germany at least —also with embroidered bordures . The See also:surplice originally reached to the feet, but as See also:early as the 13th See also:century it began to be shortened, though as See also:late as the 15th century it still See also:fell to the See also:middle of the shin, and it was not till the 17th and 18th centuries that it was considerably shortened . More drastic were other modifications which it underwent in course of See also:time in several localities, which led to the See also:appearance of various subsidiary forms alongside of the See also:original type . Such were the sleeveless surplice, which was provided at the sides with holes to put the arms through; the surplice with slit-up arms or lappels (so-called " wings ") instead of sleeves; the surplice of which not only the sleeves but the See also:body of the garment itself were slit up the sides, precisely like the modern See also:dalmatic; and, finally, a sort of surplice in the See also:form of a See also:bell-shaped See also:mantle, with a hole for the See also:head, which necessitated the arms being See also:stuck out under the hem . The first two of these forms were very early See also:developed; and, in spite of their See also:prohibition by synods here and there (e.g. that of See also:Liege in 1287), they survive in various places to the See also:present See also:day . The latter two only appeared after the See also:close of the middle ages: the first of them in See also:South Germany, the second more especially in See also:Venetia, where its use is attested by numerous pictorial records . As a See also:rule, however, these subsidiary forms of surplice were worn mostly by the See also:lower See also:clergy . They were the result partly of the 'See also:influence of the See also:secular fashions, but more particularly of considerations of convenience . The surplice belongs to the vestes sacrae, though it requires no See also:benediction . It is proper to all clerics, even to those who have only received the See also:tonsure, the See also:bishop himself vesting with it those who have been newly tonsured by him . Its use in divine service is very varied .

It is worn in See also:

choir at the See also:solemn offices; it is the See also:official sacral See also:dress of the lower clergy in their liturgical functions; it is worn by the See also:priest when administering the sacraments, undertaking benedictions, and the like; the use of the See also:alb being nowadays almost exclusively confined to the See also:mass and functions connected with this . In See also:general it may be said that this was, in all See also:main particulars, the See also:custom so early as the 14th century . The older See also:history of the surplice is obscured by lack of exact See also:information . Its name is derived, as Durandus and Gerland also affirm, from the fact that it was formerly put on over the See also:fur garments which used to he worn in church and at divine service as a See also:protection against the See also:cold . It has been maintained that the surplice was known in the 5th century, the See also:evidence being the garments worn by the two clerics in attendance on Bishop Maximian represented in the mosaics of S . Vitale at See also:Ravenna; in this See also:case, however, the dalmatic has been confused with the surplice . In all See also:probability the surplice is no more than an expansion of the See also:ordinary liturgical alb, due to the See also:necessity for wearing it over thick furs . It is first mentioned in the rith century, in a See also:canon of the See also:synod of Coyaca in See also:Spain (1050) and in an See also:ordinance of See also:King See also:Edward the See also:Confessor . In See also:Rome it was known at least as early as the 12th century . It probably originated outside Rome, and was imported thence into the Roman use . Originally only a choir vestment and See also:peculiar to lower clergy, it gradually—certainly no later than the 13th century —replaced the alb as the vestment proper to the administering of the sacraments and other sacerdotal functions . In the See also:Oriental See also:rites there is no surplice, nor any analogous vestment .

Of the non-Roman Churches in the See also:

West the surplice has continued in See also:regular use only in the Lutheran churches of See also:Denmark, See also:Norway and See also:Sweden, and in the Church of See also:England (see below) . (J . BRA.) Church of England.—The surplice was prescribed by the second See also:Prayer-See also:Book of Edward VI., as, with the tippet or the academical See also:hood, the See also:sole vestment of the See also:minister of the church at " all times of their ministration," the See also:rochet being practically regarded as the episcopal surplice . Its use was furiously assailed by the extremer Reformers but, in spite of their efforts, was retained by See also:Elizabeth's See also:Act of Uniformity, and enforced by the advertisements and injunctions issued under her authority, which ordered the " massing See also:vestments " —chasubles, albs, stoles and the like—to be destroyed . It has since remained, with the exception of the See also:cope (q.v.), the sole vestment authorized by See also:law for the ministers, other than bishops, of the Church of England (for the question of the vestments prescribed by the " Ornaments See also:Rubric " see VESTMENTS) . Its use has never been confined to clerks in See also:holy orders, and it has been worn since the See also:Reformation by all the " ministers " (including vicars-choral and choristers) of See also:cathedral and collegiate churches, as well as by the See also:fellows and scholars of colleges in See also:chapel . The distinctive See also:mark of the clergy (at least of the more dignified) has been the tippet or See also:scarf above mentioned, a broad See also:band of See also:black See also:silk worn See also:stole-See also:wise, but not to be confused with the stole, since it has no liturgical significance and was originally no more than See also:part of the clerical outdoor dress (see STOLE) . The surplice was formerly only worn by the clergy when conducting the service, being exchanged during the See also:sermon for the " black See also:gown," i.e. either a See also:Geneva gown or the gown of an academical degree . This custom has, however, as a result of the High Church See also:movement, fallen almost completely obsolete . The "black gown," considered wrongly as the See also:ensign of See also:Low Church views, survives in comparatively few of even " evangelical " churches; it is still, however, the custom for preachers of university sermons to See also:wear the gown of their degree . The traditional form of the surplice in the Church of England is that which survived from pre-Reformation times, viz. a wide-sleeved, very full, See also:plain, white linen tunic, pleated from the yoke, and reaching almost, or quite, to the feet . Towards the end of the 17th century, when large wigs came into See also:fashion, it came for convenience to be constructed gown-wise, open down the front and buttoned at the See also:neck, a fashion which still partially survives, notably at the See also:universities .

In general, however, the tendency has been, under See also:

continental influence, to curtail its proportions . The ample vestment with beautiful falling folds has thus in many churches given See also:place to a scanty, unpleated garment scarce reaching to the knee . In. the more " extreme "churches the surplices are See also:frank imitations of the Roman See also:cotta . (W . A . P.) SURRENDER, in law, a mode of See also:alienation of real See also:estate . It is defined by See also:Lord See also:Coke to be " the yielding up of an estate for See also:life or years to him that hath an immediate estate in reversion or See also:remainder " (Coke upon See also:Littleton, 337 b) . It is the converse of See also:release, which is a See also:conveyance by the reversioner or remainder-See also:man to the See also:tenant of the particular estate . A surrender is the usual means of effecting the alienation of copyholds . The surrender is made to the lord, who grants admittance to the purchaser, an entry of the surrender and admittance being made upon the See also:court rolls . Formerly a devise of copyholds could only have been made by surrender to the use of the testator's will followed by admittance of the devisee . The See also:Wills Act of 1837 now allows the devisee of copyholds without surrender, though admittance of the devisee is still necessary .

A surrender must, since the Real See also:

Property Act 1845, be by See also:deed, except in the case of copyholds and of surrender by operation of law . Surrender of the latter See also:kind generally takes place by See also:merger, that is, the See also:combination of the greater and less estate by descent or other means without the act of the party (see REMAINDER) . In Scots law surrender in the case of a See also:lease is represented by renunciation . The nearest approach to surrender of a See also:copyhold is resignation in remanentiam (to the lord) or resignation in favorem (to a purchaser) . These modes of conveyance were practically superseded by the simpler forms introduced by the See also:Conveyancing Act 1874 .

End of Article: SURPLICE (Late Lat. superpelliceum; Fr. super, over, and pellis, fur; Span. sobrepellice; Fr. surplis; in Ital. cotta and Ger. Chorrock, choir coat)
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