See also:

• SYMPHOSIUS, or SYMPOSIUS

SYMPHOSIUS, or SYMPOSIUS  , the name given to the author of a collection of See also:

• LOO (formerly called " Lanterloo," Fr. lanturlu, the refrain of a popular 17th-century song)

loo See also:

• RIDDLES (A.S. raedan, to interpret)

riddles of uncertain date, but probably composed in the 4th or 5th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century A.D . They have been attributed to Lactantius, and identified with his See also:

• SYMPOSIUM (Gr. avyr6cnov, a drinking party, from avµirivecv, to drink together, abv, with, and 7rivecv, to drink, root 7ro, cf. Lat. potare, to drink, poculum, cup)

Symposium, but this view is not generally accepted . The See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style and versification of the riddles, each of which consists of three See also:

• HEXAMETER

hexameter lines, are See also:

• GOOD, JOHN MASON (1764-1827)

good . They were written to See also:

• FORM (Lat. forma)

form See also:

• PART

part of the entertainment at the Saturnalia . See also:

• TEXT (Lat. textum, woven fabric, from texere, to weave)

Text in E . Bahrens, Poetae See also:

• LATINI, BRUNETTO (c. 1210-C. 1294)

latini minores, vol. iv.; there is a good See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French metrical version by E . F . Corpet (1868) ; monograph by W . T . See also:

• PAUL
• PAUL (PAULUS)

Paul (See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin, 1854) ; see also See also:

• TEUFFEL, WILHELM SIEGMUND (1820–1878)

Teuffel, His'. of See also:

• ROMAN

Roman Literature, 449 (Eng. trans., 1900) .