Online Encyclopedia

Search over 40,000 articles from the original, classic Encyclopedia Britannica, 11th Edition.

FRANCOIS JOSEPH TALMA (1763-1826)

Online Encyclopedia
Originally appearing in Volume V26, Page 380 of the 1911 Encyclopedia Britannica.
Spread the word: del.icio.us del.icio.us it!

See also:

FRANCOIS See also:JOSEPH See also:TALMA (1763-1826)  , See also:French actor, was See also:born in See also:Paris on the 15th of See also:January 1763 . His See also:father, a dentist there, and afterwards in See also:London, gave him a See also:good See also:English See also:education, and he returned to Paris, where for a See also:year and a See also:half he practised See also:dentistry . His predilection for the See also:stage was cultivated in private theatricals, and on the 21st of See also:November 1787 he made his debut at the Comedie Frangaise as Seide in See also:Voltaire's See also:Mahomet . His efforts from the first won approval, but for a considerable See also:time he only obtained secondary parts . It was as the jeune premier that he first came prominently into See also:notice, ferred to a See also:strip of See also:parchment, or See also:teller's See also:bill; this was then thrown down a See also:pipe into the See also:tally-See also:court, a large See also:room directly under the teller's See also:office . In the tally-court were See also:officers of the clerk of the "pelts"1 and of the auditor as representing the See also:chamberlain of the See also:exchequer . The teller's bill was then entered in the introitus or See also:receipt-See also:book by the officer of the clerk of the pells, and in another book, called the bill of the See also:day, by the auditor's clerk . A tally was then made of the teller's bill, and it was given on application, generally on the following day. to the See also:person paying in the See also:money . At the end of the day, the bill of the day was passed on to the clerk of the See also:cash-book, by whom all the day's receipts were entered (see the " See also:Great See also:Account " of Public Income and See also:Expenditure, See also:part ii. app . 13, See also:July 1869, by H . W . Chisholm) .

The practice of issuing wooden tallies was ordered to be discontinued by an See also:

act of 1782; this act came into force on the See also:death of the last of the chamberlains in 1826 . The returned tallies were stored in the room which had formerly been the See also:Star-chamber . This room was completely filled by them, so that in 1834, when it was desired to use the room, the tallies were ordered to be destroyed . They were used as See also:fuel for the 1 So called from the pelts or sheepskins (See also:Lat. pellis, skin) on which the records were written . The clerk of the pelts was originally the private clerk of the treasurer . His See also:duty was to keep See also:separate records of all monies entering and leaving the exchequer . These records were kept on two rolls, the pellis introitus, or pelts receipt See also:roll, and the pellis exitus, or pells issue roll . The office gradually became a See also:sinecure, its duties being discharged by See also:deputy . Previously to 1783 the See also:salary of the office was derived from fees and percentages, but in that year See also:parliament settled the salary at £1500 a year . The office was abolished in 1834.and he attained only gradually to his unrivalled position as the exponent of strong and concentrated See also:passion . See also:Talma was among the earliest See also:advocates of See also:realism in scenery and See also:costume, being aided by his friend the painter See also:David . His first See also:essay in this direction took the See also:form of appearing in the small role of Proculus in Voltaire's See also:Brutus, with a toga and See also:Roman See also:head-See also:dress, much to the surprise of an See also:audience accustomed to 18th See also:century costume on the stage, and heedless whether or not it suited the part played .

Talma possessed in perfection the See also:

physical gifts fitting him to excel in the highest tragedy, an admirably proportioned figure, a striking countenance, and a See also:voice of great beauty and See also:power, which, after he had conquered a certain thickness of utterance, enabled him to acquire a matchless elocution . At first somewhat See also:stilted and monotonous in his manner, he became by perfection of See also:art a See also:model of simplicity . Talma married Julie Carreau, a See also:rich and talented See also:lady in whose See also:salon were to be met the See also:principal See also:Girondists . The actor was an intimate friend of See also:Napoleon, who delighted in his society, and even, on his return from See also:Elba, forgave him for performing before See also:Louis XVIII . In 1808 the See also:emperor had taken him to See also:Erfurt and made him See also:play the Mort de Cesar to a See also:company of crowned heads . Five years later he took him also to See also:Dresden . Talma was also a friend of See also:Joseph See also:Chenier, See also:Danton, Camille See also:Desmoulins and other revolutionists . It was in Chenier's See also:anti-monarchical See also:Charles IX., produced on the 4th of November 1789, that a prophetic See also:couplet on the destruction of the See also:Bastille made the See also:house burst into a salvo of See also:applause, led by See also:Mirabeau . This play was responsible for the See also:political dissensions in the Comedie Frangaise which resulted in the See also:establishment, under Talma, of a new See also:theatre known for a time as the Theatre de la Republique, on the site of the See also:present Theatre See also:Francais . Here he won his greatest triumphs . Further development in costume and make-up was shown in his stage portrait of See also:Jean Jacques See also:Rousseau (1790), pronounced a wonderful likeness in Le journaliste See also:des ombres . In 18or he divorced his wife, and in 1802 married See also:Charlotte Vanhove, an actress of the Comedic Francaise .

He made his last See also:

appearance on the See also:firth of See also:June 1826 as Charles VI. in Delaville's tragedy, and he died in Paris on the 19th of See also:October of that year . Talma was the author of Memaires de See also:Lekain, precedes de reflexions sur See also:eel acteur et sur fart thedtral, contributed to the Collection des memoires sur l'art dramatique, and published separately (1856) as Reflexions de Talma sur Lekain et l'art thedtral . See Menzoires de F . J . Talnza, ecri-ts See also:par lui-meme, et recueillis et mis en ordee sur See also:les papiers de sa famille, by Alex . See also:Dumas (185o) .

End of Article: FRANCOIS JOSEPH TALMA (1763-1826)
[back]
TALLY
[next]
THOMAS DE WITT TALMAGE (1832-1902)

Additional information and Comments

There are no comments yet for this article.
» Add information or comments to this article.
Please link directly to this article:
Highlight the code below, right click and select "copy." Paste it into a website, email, or other HTML document.