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See also:FRANCOIS See also:JOSEPH See also:TALMA (1763-1826)
, See also:French actor, was See also:born in See also:Paris on the 15th of See also:January 1763
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His See also:father, a dentist there, and afterwards in See also:London, gave him a See also:good See also:English See also:education, and he returned to Paris, where for a See also:year and a See also:half he practised See also:dentistry
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His predilection for the See also:stage was cultivated in private theatricals, and on the 21st of See also:November 1787 he made his debut at the Comedie Frangaise as Seide in See also:Voltaire's See also:Mahomet
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His efforts from the first won approval, but for a considerable See also:time he only obtained secondary parts
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It was as the jeune premier that he first came prominently into See also:notice,
ferred to a See also:strip of See also:parchment, or See also:teller's See also:bill; this was then thrown down a See also:pipe into the See also:tally-See also:court, a large See also:room directly under the teller's See also:office
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In the tally-court were See also:officers of the clerk of the "pelts"1 and of the auditor as representing the See also: The practice of issuing wooden tallies was ordered to be discontinued by an See also:act of 1782; this act came into force on the See also:death of the last of the chamberlains in 1826 . The returned tallies were stored in the room which had formerly been the See also:Star-chamber . This room was completely filled by them, so that in 1834, when it was desired to use the room, the tallies were ordered to be destroyed . They were used as See also:fuel for the 1 So called from the pelts or sheepskins (See also:Lat. pellis, skin) on which the records were written . The clerk of the pelts was originally the private clerk of the treasurer . His See also:duty was to keep See also:separate records of all monies entering and leaving the exchequer . These records were kept on two rolls, the pellis introitus, or pelts receipt See also:roll, and the pellis exitus, or pells issue roll . The office gradually became a See also:sinecure, its duties being discharged by See also:deputy . Previously to 1783 the See also:salary of the office was derived from fees and percentages, but in that year See also:parliament settled the salary at £1500 a year . The office was abolished in 1834.and he attained only gradually to his unrivalled position as the exponent of strong and concentrated See also:passion . See also:Talma was among the earliest See also:advocates of See also:realism in scenery and See also:costume, being aided by his friend the painter See also:David . His first See also:essay in this direction took the See also:form of appearing in the small role of Proculus in Voltaire's See also:Brutus, with a toga and See also:Roman See also:head-See also:dress, much to the surprise of an See also:audience accustomed to 18th See also:century costume on the stage, and heedless whether or not it suited the part played .
Talma possessed in perfection the See also:physical gifts fitting him to excel in the highest tragedy, an admirably proportioned figure, a striking countenance, and a See also:voice of great beauty and See also:power, which, after he had conquered a certain thickness of utterance, enabled him to acquire a matchless elocution
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At first somewhat See also:stilted and monotonous in his manner, he became by perfection of See also:art a See also:model of simplicity
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Talma married Julie Carreau, a See also:rich and talented See also:lady in whose See also:salon were to be met the See also:principal See also:Girondists
.
The actor was an intimate friend of See also:Napoleon, who delighted in his society, and even, on his return from See also:Elba, forgave him for performing before See also: He made his last See also:appearance on the See also:firth of See also:June 1826 as Charles VI. in Delaville's tragedy, and he died in Paris on the 19th of See also:October of that year . Talma was the author of Memaires de See also:Lekain, precedes de reflexions sur See also:eel acteur et sur fart thedtral, contributed to the Collection des memoires sur l'art dramatique, and published separately (1856) as Reflexions de Talma sur Lekain et l'art thedtral . See Menzoires de F . J . Talnza, ecri-ts See also:par lui-meme, et recueillis et mis en ordee sur See also:les papiers de sa famille, by Alex . See also:Dumas (185o) . |
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