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TATTOOING (Tahitian, tatu, from ta, mark) , the practice of decorating the skin, by cutting or puncturing, with various patterns into which a colouring See also: matter is introduced
.
Though the word is Polynesian, the See also: custom appears to have been almost universal, but tends to disappear before the spread of See also: civilization
.
The prohibition to the Jews (Lev. xix
.
28) under the Mosaic See also: Law to " See also: print any marks " upon themselves is believed to have reference to tattooing, which is still See also: common in See also: Arabia
.
The See also: North and See also: South See also: American See also: Indians, the See also: Chinese, See also: Japanese, Burmese, all See also: tattoo
.
The origin of the custom is disputed
.
It was probably at first for purely ornamental purposes and with the idea of attracting the opposite sex
.
The See also: discovery in the caves of Western See also: Europe of hollowed stones which had been apparently used for grinding up ochre and other coloured See also: clays is thought evidence that prehistoric See also: man painted himself, and tattooing for decorative reasons may easily date back to the cave-dwellers
.
The See also: modern savage paints himself as a See also: protection against cold, against the bites of See also: insects or the See also: sun's rays, and most of all to give himself a ferocious appearance in See also: battle, as Caesar relates of the See also: ancient Britons
.
Any of these motives may have shared in originating tattooing
.
Subsequently the practice assumed religious and social significance, varying with the country and according to the age at which it was
performed
.
Thus in Polynesia it is begun in or about the twelfth See also: year, and becomes thus a mark of puberty; while ~.mong the See also: Arabs and the See also: Kabyles of See also: Algeria infants are tattooed by their mothers for See also: simple See also: ornament or as a means of recognizing them
.
The American Indians See also: bore from their initiation at puberty the mark of the See also: personal or tribal totem, which at once represented the religious See also: side of their See also: life, and served the See also: practical purpose of enabling them to be known by friendly tribes
.
Among the Australians tattooing served as a mark of adoption into the See also: family or tribe, the distinctive emblem or kobong being scarred on the thighs
.
Tattooing is regarded, too, as a mark of courage
.
A Kaffir who has been a successful See also: warrior has the See also: privilege of making a long incision in his thigh, which is rubbed with cinders until sufficiently discoloured
.
Elsewhere tattooing is a sign of mourning, deep and numerous cuts being made on face, breast and limbs
.
Among the Fijians and Eskimos the untattooed were regarded as risking their happiness in the future See also: world
.
Some of the most remarkable examples of tattooing are those to be found among the See also: Laos, whose stomachs, thighs, legs and breasts are often completely covered with fantastic animal figures like those on Buddhistic monuments
.
The rudest See also: form of tattooing is that practised specially by the Australians and some tribes of negroes
.
It consists in cutting gashes, arranged in patterns, on the skin and filling the wounds with See also: clay so as to form raised scars
.
This tattooing by scarring as compared with the more common mode of pricking is, as a general See also: rule, confined to the black races
.
See also: Light-skinned races tattoo, while dark practise scarring
.
In Polynesia the See also: art of tattooing reached its highest perfection
.
In the See also: Marquesas See also: group of islands, for example, the men were tattooed all over, even to the fingers and toes and See also: crown of the See also: head, and as each operation took from? three to six months, beginning at virility, a man must have been nearly See also: thirty before his See also: body was completely covered
.
In New Zealand the face was the See also: part most tattooed, and See also: Maori heads so decorated were at one See also: time in much See also: request for See also: European museums, but they are no longer obtainable in the colony
.
In See also: Japan, where it became a high art, tattooing was neither ceremonial nor symbolical
.
It was in lieu of clothing, and only on those parts of the body usually covered in civilized countries, and in the See also: case of those only who, like the jinrikisha-men, See also: work See also: half naked
.
The See also: colours used are black, which appears blue, made from See also: Indian ink, and different tints of red obtained from See also: cinnabar
.
See also: Fine sewing-needles, eight, twelve, twenty or more, fixed together in a piece of See also: wood, are used
.
A See also: clever tattooer can cover the stomach or back in a See also: day
.
As soon as the picture is See also: complete, the patient is bathed in hot See also: water
.
The Ainus, on the other See also: hand, tattoo only the exposed parts of the body, the See also: women, unlike the Japanese, being frequently patients
.
The tattooing See also: instruments used in Polynesia consisted of pieces of sharpened See also: bone fastened into a handle, with their edges cut into teeth
.
These were dipped into a solution of See also: charcoal and then driven into the skin by See also: smart blows with a mallet
.
During the operation, assistants, usually See also: female relatives, drowned the cries of the sufferer with songs and the beating of drums
.
Under the influence of civilization tattooing is losing its ethnological character, and has become, in Europe at least, an eccentricity of soldiers and sailors and of many among theSee also: lower and often criminal classes of the See also: great cities
.
Among eight See also: hundred convicted French soldiers Lacassagne found 40 per cent. tattooed
.
In the See also: British army till 1879 the letters D. and B
.
C. for Deserter and See also: Bad Character were tattooed with needles and Indian ink; and tattooing has often been used to identify criminals and slaves
.
See Lacassagne, See also: Les Tatouages (See also: Paris, 1881); General Robley, Moko or Maori Tattooing (1896)
.
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