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TAUROBOLIUM , the sacrifice of a bull, usually in connexion with the worship of theSee also: Great See also: Mother of the Gods, though not limited to it
.
Of See also: oriental origin, its first known performance in See also: Italy occurred in A.D
.
134, at See also: Puteoli, in honour of See also: Venus Caelestis
.
Prudentius describes it in Peristephanon (x., 1o66 ff.) : the See also: priest of the Mother, clad in a toga worn cinctu Gabino, with See also: golden See also: crown and fillets on his See also: head, takes his place in a See also: trench covered by a platform of planks pierced with See also: fine holes, on which a bull, magnificent with See also: flowers and gold, is slain
.
The See also: blood rains through the platform on to the priest below, who receives it on his face, and even on his 'See also: tongue and palate, and after the See also: baptism presents himself before his See also: fellow-worshippers purified and regenerated, and receives their See also: salutations and reverence
.
The taurobolium in the 2nd and 3rd centuries was usually performed as a measure for the welfare of the Emperor, See also: Empire, or community, its date frequently being the 24th of See also: March, the
See also: Dies Sanguinis of the See also: annual festival of the Great Mother and See also: Attis
.
In the See also: late 3rd and the 4th centuries its usual See also: motive was the See also: purification or regeneration of an individual, who was spoken of as renatus in aeternum, reborn for eternity, in consequence of the ceremony (Corp
.
Insc
.
See also: Lat. vi
.
510-512)
.
When its efficacy was not eternal, its effect was considered to endure for twenty years
.
It was also performed as the fulfilment of a vow, or by command of the goddess herself, and the See also: privilege was limited to no sex nor class
.
The place of its performance at See also: Rome was near the site of St See also: Peter's, in the excavations of which several altars and inscriptions commemorative of taurobolia were discovered
.
The taurobolium was probably a sacred drama symbolizing the relations of the Mother and Attis (q.v.)
.
The descent of the priest into the sacrificial See also: foss symbolized the See also: death of Attis, the withering of the vegetation of Mother See also: Earth; his See also: bath of blood and emergence the restoration of Attis, the rebirth of vegetation
.
The ceremony may be the spiritualized descent of the See also: primitive oriental practice of drinking or being baptized in the blood of an animal, based upon a belief that the strength of brute creation could be acquired by See also: consumption of its sub-stance or contact with its blood
.
In spite of the phrase renatus in aeternum, there is no reason to suppose that the ceremony was in any way borrowed from See also: Christianity
.
See Esperandieu, Inscriptions de See also: Lectoure (1892), pp
.
94 ff.; Zippel, Festschrift zum Doctorjubilaeum, Ludwig Friedlander, 1895, p
.
489 f.; Showerman, The Great Mother of the Gods, Bulletin of the University of Wisconsin, No
.
43, pp
.
280-84 (See also: Madison, 1901); Hepding, Attis, See also: Seine Mythen and Sean Kull (See also: Giessen, 1903), pp
.
168 if., 201; Cumont, Le Taurobole et le Culte de Bellone, Revue d'histoire et de litterature religieuses, vi., No
.
2, 1901
.
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