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TELESILLA , See also: Greek poetess, a native of See also: Argos, one of the so-called nine lyric muses
.
According to the traditional See also: story, when Cleomenes, See also: king of
See also: Sparta, invaded the See also: land of the Argives in 510 B.C., and slew all the See also: males capable of bearing arms, Telesilla, dressed in men's clothes, put herself at the See also: head of the See also: women and repelled an attack upon the city of Argos
.
To commemorate this exploit, a statue of the poetess, in the See also: act of putting on a helmet, with books lying at her feet, was set up in the See also: temple of See also: Aphrodite at Argos
.
The festival Hybristica or Endymatia, in which men and women exchanged clothes, also celebrated the heroism of her See also: female compatriots
.
See also: Herodotus (vi
.
76) does not refer to the intervention of Telesilla, but mentions an See also: oracle which predicted that the female should conquer the male, whence the tradition itself may have been derived
.
Further, the statue seen by See also: Pausanias may not have been intended for Telesilla; it would equally represent Aphrodite, in her character as wife of See also: Ares and a warlike goddess (the books, however, seem out of place)
.
The Hybristica, again, was most probably a religious festival connected with the worship of some androgynous divinity
.
Of Telesilla's poems only two lines remain, quoted by the grammarian See also: Hephaestion, apparently from a Parthenion, or See also: song for a See also: chorus of maidens
.
See Pausanias ii
.
20, 8; Plutarch, De Virtut
.
Mulierum, 8; See also: Clement of Alexandria, Stromata, iv
.
19, p . 522; See also: Bergk, Poetae Lyrici Greeci, iii.; and especially Macan, Herodotus iv.—vi., i
.
336 See also: foil. and notes
.
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