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TERPANDER , of Antissa in See also: Lesbos, See also: Greek poet and musician
.
About the See also: time of the Second Messenian war, he settled in See also: Sparta, whither, according to some accounts, he had been summoned by command of the Delphian See also: oracle, to compose the differences which had arisen between different classes inthe See also: state
.
Here he gained the prize in the musical contests at the festival See also: Carnea (676-2 B.C.; See also: Athenaeus, 635 E.)
.
He is regarded as the real founder of Greek classical See also: music, and of lyric See also: poetry; but as to his innovations in music our information is imperfect
.
According to See also: Strabo (xiii. p
.
618) he increased the number of strings in the See also: lyre from four to seven; others take the fragment cf Terpander on which Strabo bases his statement (See also: Bergk, 5) to mean that he See also: developed the citharoedic nomos (sung to the accompaniment of the cithara or lyre) by making the divisions of the ode seven instead of four
.
The seven-stringed lyre was probably already in existence
.
Ter-pander is also said to have introduced several new rhythms in
addition to the dactylic, and to have been famous as a composer of drinking-songs
.
Fragments (the genuineness of which is doubtful) in T
.
Bergk, Poetae Lyrici Graeci, iii.; see also O
.
Lowe, De Terpandri Lesbii aetate (1869), who places him about 676 B.C
.
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