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ELLEN ALICIA TERRY (1848– ) , See also: English actress, was See also: born at See also: Coventry on the 27th of See also: February 1848
.
Her parents were well-known provincial actors, and her sisters Kate, Marion and Florence, and her See also: brother Fred, all joined the theatrical profession, and her own first appearance on the stage was made on the 28th of See also: April 1856, under the Keans' management, as the boy Mamilius in The Winter's Tale, at the Princess's theatre, See also: London
.
Two years later she played See also: Prince Arthur in See also: King
See also: John with such
See also: grace as to win high praise
.
From 186o to 1863 and again from 1867 to 1868 she acted with various stock companies
.
During this See also: period she played, on the 26th of See also: December 1867, for the first See also: time with See also: Henry Irving, being cast as Katharine to his Petruchio in
See also: Garrick's version of The Taming of the See also: Shrew at the See also: Queen's theatre
.
When quite a girl she married G
.
F
.
See also: Watts the painter, but the See also: marriage was soon dissolved
.
Between 1868 and 1874, having married E
.
A
.
Wardell, an actor whose professional name was See also: Charles
See also: Kelly, she was again absent from the stage, but she reappeared in leading parts at the Queen's theatre under Charles See also: Reade's management
.
On the 17th of April 1875 she played Portia for the first time in an elaborate revival of The See also: Merchant of Venice under the Bancrofts' management at the old Prince of See also: Wales's theatre
.
This was followed by a succession of smaller triumphs at theSee also: Court theatre, culminating in her beautiful impersonation of Olivia in W
.
G
.
See also: Wills's dramatic version of Goldsmith's See also: Vicar of Wakefield, in 1878, the result of which was her engagement by Henry Irving as his leading lady for the See also: Lyceum theatre, and the beginning of a long See also: artistic partnership, in the success of which See also: Miss Terry's attractive See also: personality played a large See also: part
.
Her Shakespearean impersonations at the Lyceum were Ophelia in 1878, Portia in 1879, Desdemona in 1881, Juliet and See also: Beatrice in 1882, Viola in 1884, Lady See also: Macbeth in 1888, Katherine, in Henry VIII., and Cordelia in 1892, Imogen in 1896, and Volumnia, in Coriolanus, in 1901
.
Other notable performances were those of the Queen in Wills's Charles I. in 1879, Camma in See also: Tennyson's The Cup in 1881, See also: Margaret in Wills's See also: Faust in 1885, and the title-part in Charles Reade's rue-See also: act See also: play Nance See also: Oldfield (1893), Rosamund in Tennyson's See also: Becket (1893), Madame Sans-Gene in See also: Sardou's play (1897), and Clarisse in Robespierre (1899)
.
With the Lyceum See also: company she several times visited the See also: United States
.
In 1902, while still acting with See also: Sir Henry Irving, she appeared with Mrs Kendal in Beerbohm See also: Tree's revival of The Merry Wives of Windsor, at His Majesty's theatre, and she continued, after Sir Henry Irving's See also: death, to act at different theatres, notably at the Court theatre (1905) in some of G
.
See also: Bernard See also: Shaw's plays
.
In 1906 her stage-See also: jubilee was celebrated in London with much See also: enthusiasm, a popular subscription in See also: England and See also: America resulting in some £8000 being raised
.
In 1907 Miss Terry married See also: James Carew, an
See also: American actor
.
Her See also: sister Marion Terry (b
.
1856) became only less distin-guished on the English stage than herself ; and her brothel Fred Terry (b
.
1865) also became a leading actor, and a successful manager in association with his wife, the actress Julia See also: Neilson
.
See Charles Hiatt, Ellen Terry and her Impersonations 0898); See also: Clement See also: Scott, Ellen Terry
.
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