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SIGISMOND See also: German pianist and composer, was See also: born at See also: Geneva in 1812 (May the 5th or See also: January the 7th)
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In 1822 he was taken to Vienna, where, under the watchful care of Count Dietrichstein, his See also: education was completed
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He made his first appearance as a pianist at See also: Prince Metternich's in 1826, and published his first composition—a Fantasia on Airs from " Euryanthe "—in 1828, but it was not until 1830 that he was first fairly introduced to the public, with such brilliant success that from that See also: time forward his only See also: rival was See also: Liszt (q.v.)
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In 1834 he was appointed " kammervirtuos " to the emperor of See also: Austria
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He first appeared in See also: Paris in 1837; and in 1838 he went to See also: England, astonishing his hearers with the novel effects produced in his Variations on See also: God Save the See also: Queen, while he charmed them with his delicate touch and the purity of his expression
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Thenceforward his career was a succession of triumphs
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In See also: order to disprove the popular idea that he could execute no See also: music but his own, he played See also: Beethoven's Concerto in C minor (Op
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37) at the See also: London Wednesday Concerts, held in 1846–47 at Exeter See also: Hall, with a keen intelligence which proved his power of interpreting the
See also: works of the See also: great masters to be at least on a level with his wonderful technique
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Besides his pianoforte compositions, which are almost innumerable, See also: Thalberg produced two operas—Cristina, which proved a See also: complete failure, and Florinda, which fared but little better at Her Majesty's Theatre in 1851
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He played in London for the last time in 1863, and afterwards retired to his estate near Naples
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He died at Naples on the 27th of See also: April 1871
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