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THEON , of See also: Samos, See also: Greek painter of the age of See also: Alexander the
See also: Great, is mentioned by Quintilian as a See also: good artist of the second See also: rank
.
If we may See also: trust the somewhat flimsy stories told about him, his forte consisted in a lifelike, or perhaps, as See also: Brunn (KiInstlergeschichte, ii
.
253) puts it, a theatrical See also: representation of See also: action
.
His figures were said to start out of the picture
.
He See also: chose such congenial subjects as the madness of See also: Orestes, and a soldier rushing to See also: battle
.
Another painter, Theorus, is mentioned, whom Brunn regards as identical with Theon
.
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