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See also: Greek poet, of Icaria, in See also: Attica, generally considered the inventor of tragedy, flourished in the See also: time of the Peisistratidae
.
According to See also: Diogenes Laertius (iii
.
56), he introduced for the first time in the old dithyrambic choruses a See also: person distinct from the See also: chorus, who conversed with the See also: leader, and was hence called Ur oxpeells (" answerer " ).3
a According to another explanation, he was so called from repeat, See also: ing the words of another—the poet or composer
.
,
His claim to be regarded as the inventor of tragedy in the true sense of the See also: term depends upon the extent to which this person was really an " actor " (see DRAMA)
.
Suidas gives the titles (of doubtful authenticity) of several of his plays (not confined to the legends of Dionysus, but embracing the whole See also: body of heroic legends), but the fragments quoted in various writers as from See also: Thespis are probably forgeries by Heracleides of See also: Pontus
.
The statement of Horace (Ars Poetica, 276) that Thespis went round Attica with a cart, on which his plays were acted, is due to confusion between the origin of tragedy and See also: comedy, and a reminiscence of the scurrilous jests which it was customary to utter from a waggon (axCaµ See also: Tara dµti rtr) at certain religious festivals
.
A. and M
.
Croiset (See also: History of Greek Literature, Eng. tr., 1904), who attach more importance to the See also: part played by Thespis in the development of tragedy, accept the testimony of Horace
.
According to them, Thespis, actor and manager, transported his apparatus on a cart to the deme in which he intended to produce his drama, formed and trained a chorus, and gave a See also: representation in public
.
See DRAMA; and W
.
Christ, Griechische Litteraturgeschichle
(1898)
.
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