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ARTHUR GORING See also: English musical composer. was the youngest son of Freeman See also: Thomas and Amelia, daughter of Colonel Thomas
See also: Frederick
.
He was See also: born at Ratton See also: Park, See also: Sussex, on the loth of See also: November 1850, and educated at Haileybury See also: College
.
He was intended for the See also: Civil Service, but delicate See also: health interfered with his studies, and in 1873 he went to See also: Paris to cultivate the musical talent he had displayed from an early age
.
Here he studied for two years with £mile See also: Durand
.
In 1875 he returned to See also: England, and in 1877 entered the Royal See also: Academy of See also: Music, where for three years he studied under Ebenezer Prout and Arthur See also: Sullivan, winning twice the Lucas medal for composition
.
At a later See also: period he received some instruction in orchestration from Max See also: Bruch
.
His first published composition was a See also: song, " Le Roi See also: Henri," which appeared in 1871
.
An early comic See also: opera, See also: Don Braggadocio (libretto by his See also: brother, C
.
I
.
Thomas), was apparently unfinished; some of the music in it was afterwards used for The See also: Golden Web
.
A selection from his second opera, The See also: Light of the See also: Harem (libretto by Clifford See also: Harrison), was performed at the Royal Academy of Music on the 7th of November 1879, with such success that Carl Rosa commissioned him to write
II
Esmeralda (libretto by T
.
Marzials and A
.
Randegger), which was produced at See also: Drury Lane on the 26th of See also: March 1883
.
Two years later it was given (in
See also: German) at Cologne and See also: Hamburg, and in 1890 (in French) at Covent Garden
.
On the 16th of See also: April 1885 Rosa produced at Drury Lane Thomas's See also: fourth and best opera, Nadeshda (libretto by Julian See also: Sturgis); a German version of which was given at See also: Breslau in 1890
.
A fifth opera, The Golden Web (libretto by F
.
Corder and B
.
C
.
Stephenson), slighter than its predecessors, was produced (after the composer's See also: death) at Liverpool, Feb
.
15, and at the Lyric Theatre, See also: London, See also: Mar
.
11, 1893
.
Besides these dramatic See also: works Thomas's chief compositions were a psalm, " Out of the Deep," for See also: soprano See also: solo and See also: chorus (London, 1878); a choral ode, " The See also: Sun Worshippers " (Norwich, 1881), and a suite de See also: ballet for orchestra (Cambridge, 1887)
.
A cantata, The See also: Swan and the Skylark, was found in pianoforte score among his See also: MSS. after his death: it was orchestrated by C
.
See also: Villiers Stanford, and produced at the See also: Birmingham Festival of 1894
.
His minor compositions include over too songs and duets . In 1891 Thomas became engaged to be married; shortly afterwards he showed signs ofSee also: mental disease, and his career came to a tragic end on the 2oth of March 1892
.
He was buried in See also: Finchley cemetery
.
Goring Thomas occupies a distinct place among English composers of the 19th century
.
His music, which shows traces of his early French training, reveals a See also: great talent for dramatic composition and a real gift of refined and beautiful melody
.
Personally the most amiable of men, he was most critical of his own See also: work, never attempting anything for which he felt he was unfitted, and constantly revising and rewriting his compositions
.
(W
.
B
.
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