HANS See also:

• HANS THOMA (1839- )

THOMA (1839- )  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Bernau in the See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

Black See also:

• FOREST

Forest . Having started See also:

• LIFE

life as a painter of See also:

• CLOCK

clock-faces, he entered in, 1859 theCarlsruhe See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy, where he studied under See also:

• SCHIRMER, FRIEDRICH WILHELM (1802—1866)
• SCHIRMER, JOHANN WILHELM (1807-1865)

Schirmer and See also:

• DES

Des Coudres . He subsequently studied and worked, with but indifferent success, in See also:

• DUSSELDORF

Dusseldorf, See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, See also:

• ITALY
• ITALY (Italia)

Italy, See also:

• MUNICH (Ger. Munchen)

Munich and See also:

• FRANKFORT

Frankfort, until his reputation became firmly established as the result of an See also:

• EXHIBITION

exhibition of some See also:

• THIRTY

thirty of his paintings in Munich . In spite of his studies under various masters, his See also:

• ART

art has little in See also:

• COMMON

common with See also:

• MODERN

modern ideas,. and is formed partly by his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early impressions of the See also:

• SIMPLE

simple idyllic life of his native See also:

• DISTRICT

district, partly by his sympathy with the early German masters—particularly with See also:

• ALTDORFER, ALBRECHT (? 1480–1538)

Altdorfer and See also:

• CRANACH, LUCAS (1472-1553)

Cranach . In his love of the details of nature, in his precise (though by no means faultless) See also:

• DRAWING

drawing of outline, and in his predilection for See also:

• LOCAL

local colouring, he has distinct See also:

• AFFINITIES

affinities with the pre-Raphaelites . Many of his pictures have found their way into two private collections in See also:

• LIVERPOOL
• LIVERPOOL, EARLS
• LIVERPOOL, EARLS OF

Liverpool . A portrait of the artist, and two subject pictures, " The See also:

• GUARDIAN

Guardian of the Valley " and " See also:

• SPRING (from " to spring," " to leap or jump up," " burst out," O. Eng., springau, a common Teut. word, cf. Ger. springer, possibly allied to Gr. QnrFpxecOac, to move rapidly)

Spring Idyll," are at the See also:

• DRESDEN

Dresden See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery; " See also:

• EVE

Eve in See also:

• PARADISE (Gr. lrap6BEwos)

Paradise " and " The Open Valley " at the Frankfort Museum . Other important pictures of his are " Paradise," " See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ and Nicodemus," " The See also:

• FLIGHT

Flight into See also:

• EGYPT

Egypt," " See also:

• CHARON

Charon," " Pieta," " See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

Adam and Eve," " Solitude," " Tritons," besides many landscapes and portraits . He has also produced numerous lithographs and See also:

• PEN (Lat. penna, a feather, pen)

pen drawings, and some decorative mural paintings, notably, in a cafe at Frankfort, and in the See also:

• MUSIC

music See also:

• ROOM

room of Mr Pringsheimer's See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house in Munich .