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JAMES THOMSON (1834-1882)

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Originally appearing in Volume V26, Page 874 of the 1911 Encyclopedia Britannica.
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JAMES THOMSON (1834-1882)  ,
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British poet, best known by his signature " B.V.", was born at
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Port-
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Glasgow, in
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Renfrew-
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shire, on the 23rd of November 1834, the eldest child of a mate in the merchant
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shipping service . His
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mother was a deeply religious woman of the Irvingite
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sect . On her
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death, James, then in his seventh
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year, was procured
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admission into the Caledonian
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Orphan Asylum . In 185o he entered the model school of the Military Asylum,
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Chelsea, from which he went out into the
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world as an assistant army schoolmaster . At the garrison at Ballincollig, near Cork, he encountered the one brief happiness of his
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life: he fell passionately in love with, and was in turn as ardently loved by, the daughter of the armourersergeant of a regiment in the garrison, a girl of very exceptional beauty and cultivated mind . Two years later he suddenly received
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news of her fatal illness and death . The blow prostrated him in mind and
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body . Henceforth his life was one of gloom, disappointment, misery and poverty, rarely alleviated by episodes of somewhat brighter fortune . While in Ireland he had made the acquaintance of Charles Bradlaugh, then a soldier stationed at Ballincollig, and it was under his auspices (as editor of the
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London Investigator) that Thomson first appealed to the public as an author, though actually his earliest publication was in Tait's
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Edinburgh
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Magazine for
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July 1858, under the signature " Crepusculus." In 186o was established the paper with which Bradlaugh was so long identified, the
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National Reformer, and it was here, among other productions by James Thomson, that appeared (1863) the powerful and sonorous verses " To our Ladies of Death," and (1874) his chief
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work, the sombre and imaginative City of Dreadful
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Night . In
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October 1862 Thomson was dismissed the army, in
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company with other teachers, for some slight breach of discipline . Through Bradlaugh, with whom for some subsequent years he lived, he gained employment as a
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solicitor's clerk . From 1866 to the end of his life, except for two short absences from England, Thomson lived in a single
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room, first in Pimlico and then in Bloomsbury .

He contracted habits of intemperance, aggravated by his pessimistic turn of mind to

dipsomania, which made a successful career impossible for him . In 1869 he enjoyed what has been described as his " only reputable appearance in respectable
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literary society," in the acceptance of his long poem, "
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Sunday up the
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River," for Fraser's Magazine, on the advice, it is said, of Charles Kingsley . In 1872 Thomson went to the western states of
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America, as the agent of the shareholders in what he ascertained to be a fraudulent
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silver mine; and the following year he received a commission from the New-York World to go to Spain as its
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special correspondent with the Carlists . During the two months of his stay in that distracted country he saw little real fighting, and was himself prostrated by a sunstroke . On his return to England he continued to write in the Secularist and the National Reformer, under the initials " B.V."' In 1875 he severed his connexion with the National Reformer, owing to a disagreement with its editor; henceforth his chief source of income (1875-1881) was from the monthly periodical known as Cope's
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Tobacco Plant . Chiefly through the exertions of his friend and admirer, Bertram Dobell, Thomson's best-known
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book, The City of Dreadful Night, and other Poems, was published in
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April 188o, and at once attracted wide attention; it was succeeded in the autumn by Vane's Story, and other Poems, and in the following year by Essays and Phantasies . All his best work was produced between 1835 and 1875 (" The Doom of a City," 1857; " Our Ladies of Death," 1861; Weddah and Om-el-Bonain; " The Naked Goddess," 1866-1867; The City of Dreadful Night, 1870-1874) . He died at University College Hospital, in Gower Street, on the 3rd of
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June 1882, and was buried at
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Highgate cemetery, in the same
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grave, in unconsecrated ground, as his friend Austin Holyoake . To the productions of James Thomson already mentioned may be added the
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posthumous
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volume entitled A Voice from the Nile, and other Poems (1884), to which was prefixed a memoir by Bertram Dobell . This volume contained much that is interesting, but nothing to increase Thomson's reputation . If an attempt be made to point to the most apparent literary relation-
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ship of the author of The City of Dreadful Night, one might venture the
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suggestion that James Thomson was a younger
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brother of De Quincey . If he has distinct affinity to any writer it is to the author of Suspiria de profundis; if we look further afield, we might perhaps discern shadowy prototypes in Leopardi, Heine and Baudelaire .

But, after all, Thomson holds so unique a

place as a poet that the effort at classification may well be dispensed with . His was no literary pessimism, no assumed gloom . The poem "
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Insomnia " is a distinct chapter of biography; and in " Mater Tenebrarum " and elsewhere among his writings passages of self-revelation are frequent . The merits of Thomson's
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poetry are its imaginative power, its sombre intensity, its sonorous
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music; to these characteristics may be added, in his lighter pieces, a Heine-like admixture of strange gaiety, pathos and caustic irony . Much the same may be said of his best
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prose . His faults are a monotony. of epithet, the not infrequent use of mere rhetoric and verbiage, and perhaps a prevailing lack of the sense of form; besides an occasional vulgar recklessness of expression, as in parts of Vane's Story and in some of his prose writings . See the Life, by H . S . Salt (1905 edition) .

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