BERTEL See also:THORWALDSEN (1770.1844)
, Danish sculptor, the son of an Icelander who had settled in See also:Denmark, and there carried on the See also:trade of a See also:wood-See also:carver, was See also:born in See also:Copenhagen on the 19th of See also:November 1770
.
While very See also:young he learnt to assist his See also:father; at the See also:age of eleven he entered the Copenhagen school of See also:art, and soon began to show his exceptional talents
.
In 1792 he won the highest See also:prize, the travelling student-See also:ship, and in 1796 he started for See also:Italy in a Danish See also:man-of-See also:war
.
On the 8th of See also:March 1797 he arrived in See also:Rome, where See also:Canova was at the height of his popularity
.
See also:Thorwaldsen's first success was the See also:model for a statue of See also:Jason, which was highly praised by Canova, and he received the See also:commission to execute it in See also:marble from See also:- THOMAS
- THOMAS (c. 1654-1720)
- THOMAS (d. 110o)
- THOMAS, ARTHUR GORING (1850-1892)
- THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
- THOMAS, GEORGE (c. 1756-1802)
- THOMAS, GEORGE HENRY (1816-187o)
- THOMAS, ISAIAH (1749-1831)
- THOMAS, PIERRE (1634-1698)
- THOMAS, SIDNEY GILCHRIST (1850-1885)
- THOMAS, ST
- THOMAS, THEODORE (1835-1905)
- THOMAS, WILLIAM (d. 1554)
Thomas See also:Hope, a wealthy See also:English art-See also:patron
.
From that See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time Thorwaldsen's success was assured, and he did not leave Italy for twenty-three years
.
In 1819 he returned to Den-See also:mark, where he was commissioned to make the See also:colossal See also:series of statues of See also:Christ and the twelve apostles which are now in the Fruenkirche in Copenhagen
.
These were executed after his return to Rome, and were not completed till 1838, when Thorwaldsen again returned to Denmark
.
He died suddenly in the Copenhagen See also:theatre on the 24th of March 1844 and bequeathed a See also:great See also:part of his See also:fortune for the See also:building and endowment of a museum in Copenhagen, and also See also:left to fill it all his collection of See also:works of art and the See also:models for all his See also:sculpture—a very large collection, exhibited .to the greatest possible See also:advantage
.
Thorwaldsen is buried in the courtyard of this museum, under a See also:bed of See also:roses, by his own See also:special wish
.
On the whole Thorwaldsen was the most successful of all the imitators of classical sculpture, and many of his statues of See also:pagan deities are modelled with much of the See also:antique feeling for breadth and purity of See also:design
.
His attempts at See also:Christian sculpture, such as the See also:tomb of See also:Pius VII. in St See also:- PETER
- PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
- PETER (PEDRO)
- PETER, EPISTLES OF
- PETER, ST
Peter's and the " Christ and Apostles" at Copenhagen, are less successful, and were not in accordance with the sculptor's real sympathies, which were purely classic
.
Thorwaldsen worked sometimes with feverish eagerness; at other times he was idle for many months together
.
A great number of his best works exist in private collections in See also:England
.
His not very successful statue of See also:Lord See also:Byron, after being refused a See also:place in See also:Westminster See also:Abbey, was finally de-posited in the library of Trinity See also:College, See also:Cambridge
.
The most widely popular among Thorwaldsen's works have been some of his bas-reliefs, such as the " See also:Night " and the " See also:Morning," which he is said to have modelled in one See also:day
.
See See also:Eugene Pion, Thorwaldsen, sa See also:vie, &c
.
(See also:Paris, 1880) ; See also:Andersen, B
.
Thorwaldsen (See also:Berlin, 1845); Killerup, Thorwaldsen's Arbeiten, &c
.
(Copenhagen, 1852); Thiele, Thorwaldsen's Leben (See also:Leipzig, 1852—1856) ; C
.
A
.
Rosenberg, Thorwaldsen
.
. . See also:nut 146 Abbildungen (1896; Kunstlermonographien," No
.
16); S
.
See also:Trier, Thorvaldsen (1903) ; A
.
See also:Wilde, Erindringer om Jerichau og Thorvaldsen (1884)
.
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