TIBIA  , a See also:

• PIPE

pipe played by means of a See also:

• REED
• REED, ANDREW (1787-1862)
• REED, ISAAC (1742—1807)
• REED, JOSEPH (1741—1785)
• REED, THOMAS BRACKETT (1839—1902)

reed See also:

• MOUTHPIECE (Fr. embouchure; Ger. Mundstuck; Ital. bocchino)

mouthpiece, extensively used in classic See also:

• ROME
• ROME (Roma)

Rome . The tibia, often mistranslated " See also:

• FLUTE

flute," was identical with the See also:

• AULOS (Gr. abXos; Lat. tibia; Egyptian hieroglyphic, Ma-it ; medieval equivalents, shalm, chalumeau, schalmei, hautbois)

aulos of the Greeks, and according as it was made with a cylindrical or with a conical See also:

• BORE

bore, it may be regarded as the prototype of our See also:

• CLARINET
• CLARINET, or CLARIONET (Fr. clarinette; Ger. Clarinette, Klarinett; Ital. clarinetto, chiarinetto)

clarinet or See also:

• OBOE, or HAUTBOY (Fr. hautbois, Ger. Hoboe, Ital. oboe)

oboe . The tibia was used at musical contests, in the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, in the See also:

• ARENA (Lat. for " sand ")

arena, a at banquets, &c . A set of See also:

• IVORY (Fr. ivoire, Lat. ebur)
• IVORY, SIR JAMES (1765-1842)

ivory tibiae of cylindrical bore found at See also:

• POMPEII

Pompeii in a See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• STATE
• STATE, GREAT OFFICERS OF

state of preservation are in the museum at See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples .