See also:

• TISIO (or Tisi), BENVENUTO (1481-1559)

TISIO (or Tisi), BENVENUTO (1481-1559)  , commonly called Il Garofalo, See also:

• ITALIAN

Italian painter of the Ferrarese school, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in • See his Reise in den Orient (See also:

• LEIPZIG

Leipzig, 1845–1846) . z The See also:

• MSS

MSS. brought to See also:

• EUROPE

Europe on the first two journeys are catalogued in the Anecdota sacra et profana (Leipzig, 1855, enlarged 1861) . See also the Monumenta sacra inedita (Leipzig, 1846), and Nova collectio of the same (1855–1869) . The 3rd See also:

• VOLUME

volume of the Nova collectio gives the results of his last Eastern See also:

• JOURNEY (through O. Fr. jornee or journee, mod. Fr. journee, from med. Lat. diurnata, Lat. diurnus, of or belonging to dies, day)

journey . 3 The prolegomena remained unfinished at his See also:

• DEATH

death, and have been supplied by C . R . See also:

• GREGORY
• GREGORY (Gregorius)
• GREGORY (Grigorii) GRIGORIEVICH ORLOV, COUNT (1734-1783)
• GREGORY, EDWARD JOHN (1850-19o9)
• GREGORY, OLINTHUS GILBERT (1774—1841)
• GREGORY, ST (c. 213-C. 270)
• GREGORY, ST, OF NAZIANZUS (329–389)
• GREGORY, ST, OF NYSSA (c.331—c. 396)
• GREGORY, ST, OF TOURS (538-594)

Gregory (cf. his Textkritik See also:

• DES

des Neuen Testamentes, vol. i., 1900) . - 1481 at Garofolo, in the Ferrarese territory, and constantly used the See also:

• GILLYFLOWER

gillyflower (garofalo) as a See also:

• SYMBOL (Gr. o-uµ(3oXov, a sign)

symbol with which to sign his pictures . He took to See also:

• DRAWING

drawing in childhood, and was put to study under Domenico Panetti (or Laneto), and afterwards at See also:

• CREMONA
• CREMONA, LUIGI (1830-1903)

Cremona under his maternal See also:

• UNCLE

uncle Niccolo Soriani, a painter who died in 1499; he also frequented the school of See also:

• BOCCACCIO, GIOVANNI (1313-1375)

Boccaccio Boccaccino . He stayed fifteen months with Giovanni Baldini in See also:

• ROME
• ROME (Roma)

Rome, acquiring a solid See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of draughtsmanship, and was two years with Lorenzo See also:

• COSTA, GIOVANNI (1826–1903)
• COSTA, LORENZO (146o-r535)
• COSTA, SIR MICHAEL ANDREW AGNUS (1808-1884)

Costa at See also:

• MANTUA (Ital. Mantova)

Mantua . He then entered the service of the See also:

• MARQUIS

marquis See also:

• FRANCESCO
• FRANCESCO, 210

Francesco See also:

• GONZAGA
• GONZAGA, THOMAZ ANTONIO (1744-1809)

Gonzaga . Afterwards he went to See also:

• FERRARA

Ferrara, and worked there four years .

Attracted by See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael's fame, and invited by a Ferrarese See also:

• GENTLEMAN (from Lat. gentilis, " belonging to a race or gens," and " man "; Fr. gentilhomme, Span. gentil hombre, Ital. gentil huomo, in its original and strict signification, a term denoting a man of good family, the Lat. generosus (its invariable transl

gentleman, Geronimo Sagrato, he again removed to Rome, and found the See also:

• GREAT

great painter very amicable; here he stayed two years, rendering some assistance in the Vatican frescoes . From Rome See also:

• FAMILY

family affairs recalled him to Ferrara; there See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

Duke See also:

• ALPHONSO

Alphonso I. commissioned him to execute paintings, along with the Dossi, in the See also:

• VILLA

Villa di Belriguardo and in other palaces . Thus the style of See also:

• TISIO (or Tisi), BENVENUTO (1481-1559)

Tisio partakes of the Lombard, the See also:

• ROMAN

Roman and the Venetian modes . He painted extensively in Ferrara, both in oil and in See also:

• FRESCO (Ital. for cool, " fresh ")

fresco, two of his See also:

• PRINCIPAL

principal See also:

• WORKS

works being the " See also:

• MASSACRE

Massacre of the Innocents " (1519), in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of S . Francesco, and the " Betrayal of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ " (1524), accounted his masterpiece . For the former he made See also:

• CLAY (from O. Eng. claeg, a word common in various forms to Teutonic languages, cf. Ger. Klei)
• CLAY, CASSIUS MARCELLUS (1810-1903)
• CLAY, CHARLES (1801–1893)
• CLAY, FREDERIC (1838–1889)
• CLAY, HENRY (1777–1852)

clay See also:

• MODELS

models for study and a See also:

• LAY

lay figure, and executed everything from nature . He continued constantly at See also:

• WORK

work until in 1550 See also:

• BLINDNESS

blindness overtook him, See also:

• PAINTING

painting on all feast-days in monasteries for the love of See also:

• GOD

God . He had married at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of See also:

• FORTY

forty-eight, and died at Ferrara on the 6th (or 16th) of See also:

• SEPTEMBER (Lat. septem, seven)

September 1559, leaving two See also:

• CHILDREN, LAW RELATING TO

children . Garofalo combined sacred inventions with some very See also:

• FAMILIAR (through the Fr. familier, from Lat. familiaris, of or belonging to the familia, family)

familiar details . A certain archaism of style, with a strong glow of See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, suffices to distinguish from the true method of Raphael even those pictures in which he most closely resembles the great See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master—this sometimes very closely; but the work of Garofalo is seldom See also:

• FREE

free from a certain See also:

• TRIM

trim pettiness of feeling and manner . He was a friend of Giulio Romano, See also:

• GIORGIONE
• GIORGIONE (1477-1510)

Giorgione, See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian and See also:

• ARIOSTO, LODOVICO (1474-1533)

Ariosto; in a picture of " See also:

• PARADISE (Gr. lrap6BEwos)

Paradise " he painted Ariosto between St See also:

• CATHERINE
• CATHERINE, SAINT

Catherine and St See also:

• SEBASTIAN
• SEBASTIAN, ST

Sebastian . In youth he was fond of See also:

• LUTE (Arabic al'ud, " the wood "; Fr. luth; Ital. liuto; Span. laud; Ger. Laute; Dut. luit)

lute-playing and also of See also:

• FENCING

fencing .

He ranks among the best of the Ferrarese painters; his leading See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil was See also:

• GIROLAMO (1450-1486)

Girolamo See also:

• CARPI
• CARPI, GIROLAMO DA (15or-1556)

Carpi . The " See also:

• ADORATION (Lat. ad, to, and os, mouth; i.e. " carrying to one's mouth ")

Adoration of the Magi," in the church of See also:

• SAN

San Giorgio near Ferrara, and a " See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter See also:

• MARTYR (Gr. pimp or µaprvs)

Martyr," in the Dominican church . Ferrara (sometimes assumed to have been done in rivalry of Titian), are among his principal works not already mentioned . The See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, See also:

• LONDON

London, contains four, one of them being a Madonna and Christ enthroned, with St See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis and three other See also:

• SAINTS, BATTLE OF THE

saints .