TRIFORIUM
, an architectural See also:term, the origin of which is unknown but probably derived from " thoroughfarum," as it was used as a passage from one end of the See also:building to the other
.
The derivation from See also:Lat. tres, tri, three, and foris„See also:door, entrance, does not seem appropriate
.
The earliest examples are those in the See also:pagan basilicas, where it constituted an upper See also:galley for conversation and business; in the See also:early See also:Christian basilicas it was usually reserved for See also:women, and the same applied to those in the See also:Greek See also:Byzantine See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
Church
.
In Romanesque and See also:Gothic buildings it is either a spacious See also:gallery over the See also:side aisles or is reduced to a See also:simple passage in the thickness of the walls; in either See also:case it forms an important architectural See also:division in the
See also:nave of the See also:cathedral or church, and being of less height gives more importance to the ground See also:storey or nave See also:arcade
.
In consequence of its less height it was usually divided into two See also:arches, which were again subdivided into two smaller arches and these subdivisions increased the See also:scale
.
On See also:account of the richness of its See also:mouldings and carved See also:ornament in the See also:sculpture introduced in the spandrils, it became the most highly decorated feature of the interior, the triforium at See also:Lincoln being one of the most beautiful compositions of Gothic See also:architecture
.
Even when reduced to a simple passage it was always a highly enriched feature
.
In the 15th-See also:century churches in See also:England, when the roof over the aisles was comparatively See also:flat, more height being required for the See also:clerestory windows, the triforium was dispensed with altogether
.
In the See also:great cathedrals and abbeys the triforium was often occupied by persons who came to See also:witness various ceremonies, and in early days was probably utilized by the monks and See also:clergy for See also:work connected with the church
.
From the constructive point of view, the triforium sometimes served very important functions, as under its roof exist arches and vaults carried from the nave to the See also:outer See also:wall, to which they transmitted the thrust of the nave vault; even when the flying See also:buttress was frankly adopted by the Gothic architect and emphasized by its architectural See also:design as an important feature, other See also:cross arches were introduced under the roof to strengthen it
.
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