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See also: Romans to both kettledrum and tambourine, in the See also: case of the latter sometimes qualified by leve
.
The tympanum leve, generally included among the tympana, described as being like a. See also: sieve, was the tambourine used in the See also: rites of Bacchus and Cybele
.
See also: Pliny doubtless described See also: half pearls having one See also: side round and the other flat, as tympania, on account of their resemblance to the tympanum or kettledrum, which, in its See also: primitive See also: form, innocent of screws or mechanism for tightening the See also: head, exactly resembled the half See also: pearl
.
During the See also: middle ages the tympanum was gene-rally a tambourine, the kettledrum being known as nacaire
.
In architecture the See also: term tympanum is given to the triangular space enclosed between the See also: horizontal cornice of the entablature and the sloping cornice of the pediment
.
Though sometimes See also: left plain, in the most celebrated See also: Greek temples it was filled with sculpture of the highest See also: standard ever attained
.
In Romanesque and ' See also: Gothic See also: work the term is applied to the space above the lintel or architrave of a door and the discharging See also: arch over it, which was also enriched either with geometrical patterns or in later work with See also: groups of figures; those in See also: continental work are usually arranged in tiers
.
The upper portion of a gable when enclosed with a horizontal See also: string-course, is also termed a tympanum
.
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