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See also: historical anecdotes, flourished in the reign of Tiberius
.
Nothing is known of his See also: personal See also: history except that his See also: family was poor and undistinguished, and that he owed everything to Sextus Pompeius (See also: consul A.D
.
14), proconsul of See also: Asia, whom he accompanied to the See also: East in 27
.
This Pompeius was a kind of minor See also: Maecenas, and the centre of a See also: literary circle to which Ovid belonged; he was also the intimate of the most literary See also: prince of the imperial family, Germanicus
.
The See also: style of See also: Valerius's writings seems to indicate that he was a professional rhetorician
.
In his preface he intimates that his See also: work is in-tended as a See also: commonplace See also: book of historical anecdotes for use in the See also: schools of rhetoric, where the pupils were trained in the See also: art of embellishing speeches by references to history
.
According to the See also: MSS., its title is
.
Nine Books of Memorable Deeds and Sayings
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The stories are loosely and irregularly arranged, each book being divided into sections, and each section bearing as its title the topic, most commonly some virtue or See also: vice, or some merit or demerit, which the stories in the section are intended to illustrate
.
Most of the tales are from See also: Roman history, but each section has an appendix consisting of extracts from the See also: annals of other peoples, principally the Greeks
.
The exposition exhibits strongly the two currents of feeling which are intermingled by almost every Roman writer of the empire—the feeling that the See also: Romans of the writer's own See also: day are degenerate creatures when confronted with their own republican predecessors, and the feeling that, however degenerate, the latter-day Romans still tower above the other peoples of the See also: world, and in particular are morally See also: superior to the Greeks
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The author's chief See also: sources are See also: Cicero, See also: Livy, Sallust and Pompeius See also: Trogus, especially the first two
.
Valerius's treatment of his material is careless and unintelligent in the extreme; but in spite of his confusions, contradictions and anachronisms, the excerpts are See also: apt illustrations, from the rhetorician's point of view, of the circumstance or quality they were intended to illustrate
.
And even on the historical sides we owe something to Valerius
.
He often used sources now lost, and where he touches on his own See also: time he affords us some glimpses of the much debated and very imperfectly recorded reign of Tiberius
.
His attitude towards the imperial See also: household has often been misunderstood, and he has been represented as a mean flatterer of the same type with See also: Martial
.
But, if the references to the imperial administration be carefully scanned, they will be seen to he extravagant neither in kind nor in number
.
Few will now grudge Tiberius, when his whole See also: action as a ruler is taken into account, such a title as salutaris princeps, which seemed to a former generation a specimen of shameless adulation
.
The few allusions to Caesar's murderers and to See also: Augustus hardly pass beyond the conventional style of the writer's day
.
The only passage which can fairly be called fulsome is the violently rhetorical tirade against See also: Sejanus
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But it is as a chapter in the history of the Latin language that the work of Valerius chiefly deserves study
.
Without it our view of the transition from classical to See also: silver Latin would be much more imperfect than it is
.
In Valerius are presented to us, in a See also: rude and palpable See also: form, all the rhetorical tendencies of the age, unsobered by the sanity of Quintilian and unrefined by the taste and subtlety of Tacitus
.
See also: Direct and See also: simple statement is eschewed and novelty pursued at any price
.
The barrier between the diction of See also: poetry and that of See also: prose is broken down; the uses of words are strained; monstrous metaphors are invented; there are startling contrasts, dark innuendoes and highly coloured epithets; the most unnatural variations are played upon the artificial See also: scale of grammatical and rhetorical figures of speech
.
It is an instructive lesson in the history of Latin to compare minutely a passage of Valerius with its counterpart in Cicero or Livy
.
In the MSS. of Valerius a tenth book is given, which consists of the so-called See also: Liber de Praenominibus, the work of some grammarian of a much later date
.
The collection of Valerius was much used for school purposes, and its popularity in the See also: middle ages is attested by the large number of MSS. in which it has been preserved
.
Like other schoolbooks it was epitomated
.
One See also: complete epitome, probably of the 4th or 5th century, bearing the name of See also: Julius See also: Paris, has come down to us; also a portion of another by See also: Januarius Nepotianus
.
See also: Editions by C
.
See also: Halm (1865), C
.
Kempf (1888), contain the epitomes of Paris and Nepotianus
.
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