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See also: brother of See also: William Vandevelde (q.v.), the marine painter, was
See also: born at See also: Amsterdam in 1639
.
He was trained in the studio of See also: Jan Wynants, the landscape painter, where he made the acquaintance of See also: Philip
See also: Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his See also: art
.
Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to See also: Hobbema, Ruysdael, Verboom and other contemporary artists
.
His favourite subjects are scenes of open pasture See also: land, with See also: sheep, cattle and goats, which he executed with admirable dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring
.
He painted a few small but excellent winter scenes with skaters, and several religious subjects, such as the " Descent from the See also: Cross," for the See also: Roman Catholic See also: church in Amsterdam
.
In addition to his paintings, of which nearly two
See also: hundred have been catalogued, he executed about twenty etchings, several of which appear from their See also: dates to have been done in his fourteenth See also: year
.
They are See also: simple but pleasing in tonality, and are distinguished by See also: great directness of method and by delicacy and certainty of touch
.
See also: Adrian Vandevelde died at Amsterdam in See also: January 1672
.
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