See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN BAPTIST See also:

• JOHN BAPTIST VANLOO (1684-1745)

VANLOO (1684-1745)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French subject and portrait painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• AIX

Aix in See also:

• PROVENCE (Provincia, Proenza)

Provence on the 14th of See also:

• JANUARY

January 1684 . He was instructed in See also:

• ART

art by his See also:

• FATHER

father . Having at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age executed several pictures for the decoration of the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church and public buildings at Aix, he was employed on similar See also:

• WORK

work at See also:

• TOULON

Toulon, which he was obliged to leave during the See also:

• SIEGE (0. Fr. sege, siege, mod. siege, seat, ultimately from sedere, to sit, cf. Class. Lat. obsidium, a siege)

siege of 1707 . He was patronized by the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince of Carignan, who sent him to See also:

• ROME
• ROME (Roma)

Rome, where he studied under Benedetto Luti . Here he was much employed on church pictures, and in particular executed a greatly praised " Scourging of See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ " for St Maria in Monticelli . At See also:

• TURIN

Turin he painted the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• SAVOY, HOUSE
• SAVOY, HOUSE OF

Savoy and several members of his See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court . Then, removing to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where he was elected a member of the French See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, he executed various See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar-pieces and restored the See also:

• WORKS

works of Primaticcio at See also:

• FONTAINEBLEAU

Fontainebleau . In 1737 he went to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, where he attracted See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention by his portrait of See also:

• COLLEY, SIR GEORGE POMEROY (1835-1881)

Colley See also:

• CIBBER (or CIBERT), CAIUS GABRIEL (163o-1700)
• CIBBER, COLLEY (1671-1757)

Cibber and of See also:

• OWEN, JOHN (1616-1683)
• OWEN, JOHN [OVENUS Or AUDOENUS] (c. 1560-1622)
• OWEN, ROBERT (1771-1858)
• OWEN, SIR HUGH (1804-1881)
• OWEN, SIR RICHARD (1804–1892)

Owen McSwiny, the theatrical manager; the latter, like many other of See also:

• VANLOO, JOHN BAPTIST (1684-1745)

Vanloo's works, was engraved in See also:

• MEZZOTINT

mezzotint by the younger See also:

• FABER
• FABER (or LEFEVRE), JOHANN (1478-1541)
• FABER, BASIL (1520-c. 1576)
• FABER, FABRI
• FABER, FREDERICK WILLIAM (1814-1863)

Faber . He also painted See also:

• SIR

Sir See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert See also:

• WALPOLE, HORATIO
• WALPOLE, SIR SPENCER (1839-1907)

Walpole, whose portrait by Vanloo in his See also:

• ROBES (Fr. robe, Late Lat. roba, raupa, meaning (1)

robes as See also:

• CHANCELLOR (M. Eng. and Anglo-Fr. canceler, chanceler, Fr. chancelier, Lat. cancellarius)

chancellor of the See also:

• EXCHEQUER

exchequer is in the See also:

• NATIONAL

National Portrait See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery (See also:

• LONDON

London), and the prince and princess of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales . He did not, however, practise See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long in England, for.his See also:

• HEALTH

health failing he retired to Paris in 1742, and afterwards to Aix, where he died on the 19th of See also:

• DECEMBER (Lat. decent, ten)

December 1745, His likenesses were striking and faithful, but seldom flattering, and his heads are forcible in colouring . The draperies and accessories in his pictures were usually painted by See also:

• VAN

Van Achen, Eccardt and See also:

• ROOT (late O.E. rot, adopted from Scand., cf. Norw. and Swed. rot, Dan. rod; the true O.E. word was wyrt, plant, represented in Ger. Wurz or Wurzel; the ultimate root is the same in both words, and is seen in Lat. radix)
• ROOT, ELIHU (1845– )

Root .