PHILIPP

VEIT (1793-1877)  , German painter, one of the leaders of the German romantic school, was born in Berlin . Having received his first art education in Dresden and Vienna, he was strongly influenced by, and joined the group of, the Nazarenes in Rome, where he worked for some years before taking up his abode in Frankfort . In this city, where his most important works are preserved at the Staedel Institute, he was active from 183o to 1843, as director of the art collections and as professor of painting . From 1853 to his death in 1877 he held the post of director of the municipal gallery at Mayence . Like his fellow-Nazarenes he was more draughtsman than painter, and though his sense of colour was stronger than that of Over-beck or Cornelius, his works are generally more of the nature of coloured cartoons than of paintings in the modern sense . His principal work is the large fresco of "The Introduction of Christianity into Germany by St Boniface," at the Staedel Institute in Frankfort . In the cathedral of that city is his " Assumption," whilst the Berlin National Gallery has his painting of " The Two Marys at the Sepulchre." To Veit is due the credit of having been the first to revive the almost forgotten technique of fresco painting . See Kunst, Kiinstler and Kunstwerke, by Valentin Veit .