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MICHEL See also: born at See also: Antwerp on the 25th of See also: November 1824
.
He was a pupil of Nicaise de Keyser, and studied at the Antwerp See also: Academy
.
In 1842 appeared his first important picture, " See also: Pippin the See also: Short Killing a See also: Lion." About 1849 he went to See also: Paris, where he worked under Ary See also: Scheffer
.
In 1855 he won a gold medal at the Exposition Universelle at Paris with his " See also: Tiger Attacking a Herd of Buffaloes," and in 1858 exhibited " Le Coup de collier " (now in the Antwerp Gallery) at the Paris See also: Salon
.
In 1866 he was appointed director of the Academy at See also: Weimar, where he painted some See also: fine portraits, notably those of the See also: grand-duchess of See also: Saxony and of the musician See also: Liszt
.
Soon after his return to Antwerp in 1875 he visited See also: Palestine, and brought back a large number of interesting pictures, including " Vox Populi " (Antwerp Gallery), " The See also: Tomb of Jesus," and " The See also: Flight into See also: Egypt." In 1885 he was appointed director of the Antwerp Academy
.
Other important See also: works by Verlat are the panoramas of the See also: battle of See also: Waterloo and the treaty of See also: San Stefano, " Christ between the Two Thieves," " Defending the See also: Flock " (Antwerp Gallery), " Oxen Ploughing in Palestine " (Antwerp Gallery), " Godfrey of See also: Bouillon at the Siege of Jerusalem " (Brussels Gallery), and " See also: Sheep-See also: Dog Defending the Flock." (Brussels Gallery)
.
He executed a series of See also: original etchings, and published in 1879 a See also: book on the Antwerp Academy
.
He died at Antwerp on the 23rd of See also: October 189o
.
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