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VERS DE SOCIETE , a See also: term for social or See also: familiar See also: poetry, which was originally borrowed from the French, and has now come to See also: rank as an See also: English expression (see Fennell, The See also: Stamford See also: Dictionary of Anglicised Words)
.
The use of the phrase as an English one is first met with at the opening of the 19th century
.
It is to be observed that it has come to bear a meaning which is not wholly See also: equivalent to that of the French See also: original
.
It was said of the See also: blind philosopher, M
.
C
.
J
.
Pougens (1755-1833), that his petits vers de societe procured See also: great success for him in the salons of See also: Paris, and several of the rhymesters of the early 18th century were prominent for their adroitness in composing petits vers sur See also: des sujets legers
.
The See also: prince of such graceful triflers was the See also: Abbe de Chaulieu (1639-1720), of whom it was said that he made verses solely for the amusement
of his See also: friends, and without the smallest intention of seeing them in See also: print
.
The best of his effusions have preserved a certain freshness because of the neatness with which they are turned, but it can scarcely be said that they have any pre-tension to be called poetry
.
They were inspired by incidents in the private See also: life of the See also: day, and were largely addressed to a few friends of exalted rank, who were hardly less witty than the author himself, such as the duc de See also: Nevers, the See also: marquis de Lassay, the duchesse de See also: Bouillon and the marquis de la Fare
.
In the collections of Chaulieu's See also: works, which were very often reprinted, See also: side by side with his own pieces will be found petits vers de societe indited by these great friends of his, and often quite as well turned as his own
.
To write such verses, indeed, was almost an accomplishment of See also: good breeding
.
An enormous collection of them was brought together by Titon du Tillet (1676–1762), in his Parnasse See also: Francois, where those who are curious on the subject may observe to satiety how ingenious and artificial and trifling the vers de societe of the French 18th century could be
.
The fashion for them followed upon the decline of an See also: interest in rondeaux, ballades and villanelles, and Chaulieu himself had not a little to do with throwing those ingenuities out of fashion, his attack on See also: Benserade, who went so far as to turn the whole of Ovid's Metamorphoses into rondeaux, being, according to his editor of 1732, " the first See also: work which displayed the delicacy of the Abbe de Chaulieu's taste, and his talent for poetry." Of the writers of vers de societe in See also: France, J
.
B
.
See also: Rousseau had the most poetical faculty; he was, in fact, a poet, and he wrote a "
See also: Billet a Chaulieu " which is a See also: gem of delicate and playful charm
.
But, as a See also: rule, the efforts of the French versifiers See also: dens See also: les petits genres were not of considerable poetic value
.
If in See also: England the expression vers de societe carries with it more See also: literary dignity, this is mainly due to the See also: genius of one See also: man
.
See also: Prior's Poems on Several Occasions, collected in 1709, presents us with some of the earliest entirely characteristic specimens of vers de societe, and with some of the best
.
Here the poet consciously, and openly, resigns the pretension of high effort and an See also: appeal to See also: Parnassus
.
He is paying a visit at Burghley See also: House, where the conversation turns on the merits and adventures of Mr Fleetwood Shepherd; Prior then and there throws off, in extremely graceful verse, a piece appropriate to the occasion
.
He addresses it, and he See also: dates it (May 14, 1689) ; and this is a typical example of vers de societe
.
It will be seen that Prior, who learned much from his residence in the See also: heart of the French See also: world of fashion between 1711 and 1715, treats very much the same subjects as Chaulieu and La Fare were treating, but he does so with more force of See also: style and dignity of See also: imagination
.
As the 18th century progressed, the example of Prior was often followed by English poets, without, however, any general recapture of his forcible See also: grace
.
The vers de societe tended to be merged in the See also: epistle and in the See also: epigram
.
See also: Swift, however, when he was neither coarse nor frigid, sometimes achieved a genuine success, as in the admirable verses on his own See also: death
.
The odes of See also: Ambrose Philips (1671–1749) addressed by name to various private persons, and, most happily, to See also: children, were not understood in his own age, but possess some of the most fortunate characteristics of pure vers de societe
.
In his " Welcome from See also: Greece," a study in otlava rima, Gay produced a masterpiece in this delicate class, but most of his easy writings belong to a different category
.
Nothing of See also: peculiar importance detains us until we reach Cowper, whose poems for particular occasions, such as those on " Mrs Throckmorton's See also: Bullfinch " and " The Distressed Travellers," are See also: models of the poetic use of actual circumstances treated with an agreeable levity, or an artful naivete
.
In a later age, See also: Byron, who excelled in so many departments of poetry, was an occasional writer of brilliant vers de societe, such as the epistle " Huzza, See also: Hodgson," but to find a See also: direct successor to Prior it is necessary to pass See also: Henry
See also: Luttrell (1765–1851) and W
.
R
.
See also: Spencer (1769–1834), and to come down to W
.
M
.
Praed (q.v.)
.
A certain character was given to English vers de societe by See also: Hood and See also: Barham, but the former was too muchaddicted to a See also: play upon words, the latter was too boisterous, to be considered as direct continuers of the tradition of Prior
.
That tradition, however, was revived by See also: Frederick Locker, afterwards Locker-Lampson (1821–1895), whose See also: London Lyrics, first printed in 1857 and constantly modified until 1893, is in some respects the typical See also: modern example of pure vers de societe
.
Locker was a See also: simple, clear and easy writer; he successfully avoided the least appearance of that effort which is fatal to this kind of verse
.
His " Rotten See also: Row," with its reminiscences of the early sixties,
" But where is now the courtly troop
That once rode laughing by
?
I See also: miss the curls of Cantelupe, The laugh of Lady Di,"
touches of real portraiture—is a perfect example of vers de societe
.
Since the days of Locker, those who have attempted to strike the lighter See also: lyre in English have been very numerous
.
Almost immeasurably See also: superior to the rest has been Mr See also: Austin Dobson, who is, however, something more than a writer of vers de societe
.
Collections of vers de societe of much excellence have been published by J
.
K
.
See also: Stephen (1859-92), Andrew Lang (b
.
1844), A
.
D
.
Godley (b
.
1856), See also: Owen See also: Seaman (b
.
1861) and A . R . See also: Ropes (" See also: Adrian See also: Ross ") (b
.
1859)
.
(E
.
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