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VICENZA

Online Encyclopedia
Originally appearing in Volume V28, Page 21 of the 1911 Encyclopedia Britannica.
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VICENZA  , a

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town and episcopal see of
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Venetia, Italy, capital of the province of Vicenza, 42 M . W. of Venice by
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rail, 131 ft. above sea-level . Pop . (1901) 32,200 (town); 47,558 (commune) . It lies at the
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northern
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base of the Monti Berici, on both sides of the Bacchiglione, at its confluence with the Retrone . It was surrounded by 13th-century walls, once about 3 M. in circumference, but these are now in
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great
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part demolished . Though many of the streets are narrow and irregular, the town has a number of
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fine buildings, many of them the
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work of Andrea Palladio . The best of these is the town hall, otherwise known as the
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basilica, one of the finest
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works of the Renaissance period, of which Palladio himself said that it might stand comparison with any similar work of antiquity . It is especially noteworthy owing to the difficulty of the task the architect had to accomplish—that of transforming the exterior of the Palazzo della Ragione, a
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Gothic
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building of the latter
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half of the 15th century, which the colonnades of the basilica entirely enclose . It was begun in 1549, but not finished till 1614, long after his
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death . He also designed many of the fine palaces which give Vicenza its individuality; only two of them, the Barbarano and Chiericati palaces (the latter containing the picture gallery), have two orders of architecture, the rest having a heavy rustica basis with only one order above it . Many palaces, however, have been wrongly attributed to him which are really the work of Scamozzi and others of his successors .

The famous Teatro Olimpico was begun by him, but only finished after his death; it is a remarkable

attempt to construct a theatre in the ancient style, and the stage, with the representation of streets ascending at the back, is curious . The
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cathedral, which is
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Italian Gothic,dating mainly from the 13th century, consists of a
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nave with eight chapels on each side, and a very high Renaissance domed choir; it contains examples of the Montagnas and of Lorenzo da Venezia . The churches of S . Lorenzo (1280—1344) and S . Corona (1260—1300), both of brick, are better examples of Gothic than the cathedral; both contain interesting works of art—the latter a very fine "
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Baptism of Christ," by Giovanni Bellini . In S . Stefano is an imposing altar-piece by Palma Vecchio . The church of SS . Felice e Fortunato was restored in A.D . 975, but has been much altered, and was transformed in 1613 . The portal is of 1154, and the Lombardesque square brick tower of 1160 . Under it a mosaic pavement with the names of the donors, belonging to the
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original church of the Lombard period (?), was discovered in 1895 (see F .

Berchet, III . Relazione dell' Ufficio Regionale per la conservazione dei monumenti del Veneto, Venice, 1895, p . 111) . None of the churches of Vicenza is the work of Palladio . Of the

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Palladian villas in the neighbourhood, La Rotonda, or
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Villa Palladiana, 12 m . S.R., deserves
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special mention . It is a square building with Ionic colonnades and a central dome, like an ancient temple, but curiously unlike a
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Roman villa . Vicenza also contains some interesting remains of the Gothic period besides the churches mentioned—the lofty tower of the town hall (1174–1311–1446; the Piazza contains two columns of the Venetian period, with S . Theodore and the Lion of S . Mark on them) and several palaces in the Venetian style . Among these may be especially noted the small Casa Pigafetta dating from 1481, but still half Gothic, prettily decorated . Some of these earlier houses had painted facades .

The fine picture of " Christ bearing the

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Cross " (wrongly ascribed to Giorgione), according to Burckhardt once in the Palazzo Loschi, is now in the Gardner collection at Boston, U.S.A . The most important manufacture is that of
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silk, which employs a large proportion of the inhabitants . Great numbers of mulberry trees are grown in the neighbourhood . Woollen and
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linen
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cloth, leather, earthenware, paper, and articles in gold and
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silver are also made in Vicenza, and a considerable trade in these articles, as well as in corn and wine, is carried on . Vicenza is the ancient Vicetia, an ancient town of Venetia . It was of less importance than its neighbours Venetia and Patavium, and we hear little of it in
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history . It no doubt acquired Roman citizenship in 49 B.C., and became a municipiv.m; and is mentioned two years later apropos of a dispute between the citizens and their slaves . Remains of a theatre and of a
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late mosaic pavement with hunting scenes have been found, three of the bridges across the Bacchiglione and Retrone are of Roman origin, and arches of the aqueduct exist outside Porta S . Croce . A road diverged here to Opitergium (mod . Oderzo) from the main road between Verona and Patavium (Padua) : see T . Mommsen in Corp .

Inscr . Latin. v . (

Berlin, 1883), p . 304 . It suffered severely in the invasion of Attila, by whom it was laid waste, and in subsequent incursions . It was for some time during the
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middle ages an
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independent republic, but was subdued by the Venetians in 1405 . Towards the end of the 15th century it became the seat of a school of
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painting strongly influenced by Mantegna, of which the
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principal representatives were, besides Bartolomeo Montagna, its founder, his son Benedetto Montagna, Giovanni Speranza and Giovanni Buonconsiglio . Good altar-pieces by the former exist in S . Bartolommeo, S . Corona, and the cathedral, and several pictures also in the picture gallery; while his son Benedetto had greater merits as an engraver than a painter . Some works by both of the last two exist at Vicenza—the best is a Pieta in tempera in the gallery by Buonconsiglio, by whom is also a good Madonna at S . Rocco .

Andrea Palladio (1518–1580) was a native of Vicenza, as was also a contemporary, Vincenzo Scamozzi (1552–1616), who was largely dependent on him, but is better known for his work on architecture (Architsttura universale, 1615) . Palladio inaugurated a school of followers who continued to erect similar buildings in Vicenza even down to the

French Revolution . (T . As.) See G . Pettina, Vicenza (Bergamo, 1905) .

End of Article: VICENZA
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