VIGAN  , a See also:

• TOWN

town and the See also:

• CAPITAL (i.e. capital stock or fund)
• CAPITAL (Lat. caput, head)

capital of the See also:

• PROVINCE
• PROVINCE (Lat. provincia; perhaps a contraction of providentia)

province of Ilocos Sur, Luzon, Philippine Islands, at the mouth of the Abra See also:

• RIVER

river, about 200 M . N. by W. of See also:

• MANILA

Manila . Pop. of the See also:

• MUNICIPALITY

municipality (1903) 14,945; after the See also:

• CENSUS (from Lat. censere, to estimate or assess; connected by some with centum, i.e. a count by hundreds)

census of 1903 was taken there were See also:

• UNITED

united to Vigan the municipalities of Bantay (pop . 7020), See also:

• SAN

San See also:

• VICENTE, GIL (147o-1540)

Vicente (pop . 5o6o), See also:

• SANTA

Santa Catalina (pop . 5625) and Coayan (pop . 62o1), making the See also:

• TOTAL

total See also:

• POPULATION (Lat. populus, people; populare, to populate)

population of the municipality 38,851 . Vigan is the See also:

• RESIDENCE (Latin residere, to remain behind, to dwell, reside)

residence of the See also:

• BISHOP (A.S. bisceop, from Lat. episcopus, Gr. irio-Korros, " overlooker " or " overseer ")
• BISHOP, ISABELLA (1832-1904)
• BISHOP, SIR HENRY ROWLEY (1786-1855)

bishop of Nueva See also:

• SEGOVIA

Segovia and has a See also:

• FINE

fine See also:

• CATHEDRAL

cathedral, a substantial See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court-See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house, other durable public buildings and a See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument to Juan de Salcedo, its founder . It is engaged in farming, fishing, the manufacture of See also:

• BRICK (derived according to some etymologists from the Teutonic bricke, a disk or plate; but more authoritatively, through the French brique, originally a " broken piece," applied especially to bread, and so to clay, from the Teutonic brikan, to break)

brick, See also:

• TILE (0. Eng. tigel, Fr. tuile, connected with Lat. tegula)

tile, See also:

• COTTON
• COTTON (Fr. coton; from Arab. qutun)
• COTTON, CHARLES (163o–1687)
• COTTON, GEORGE EDWARD LYNCH (1813–1866)
• COTTON, JOHN (1585–1652)
• COTTON, SIR ROBERT BRUCE

cotton fabrics and See also:

• FURNITURE (from " furnish," Fr. fournir)

furniture, and the See also:

• BUILDING

building of boats . The See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language is Ilocano . VIGEE-See also:

• LEBRUN, CHARLES FRANCCOIS
• LEBRUN, PIERRE ANTOINE (1785–1873)
• LEBRUN, PONCE DENIS ECOUCHARD (1729-1807)

LEBRUN, See also:

• MARIE

MARIE-See also:

• ANNE (1665-1714)
• ANNE (1693-1740)

ANNE ELISABETH (1755-1842), See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, the daughter of a painter, from whom she received her first instruction, though shebenefited more by the See also:

• ADVICE (Fr. avis, from Lat. ad, to, and visum, viewed)

advice of See also:

• DOYEN, GABRIEL FRANCOIS (1726-1806)

Doyen, See also:

• GREUZE, JEAN BAPTISTE (1725-1805)

Greuze, See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph See also:

• VERNET

Vernet and other masters of the See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period . When only about twenty years of See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age she had already risen to fame with her portraits of See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

Count Orloff and the duchess of See also:

• ORLEANS
• ORLEANS, CHARLES, DUKE OF (1391-1465)
• ORLEANS, DUKES OF
• ORLEANS, FERDINAND PHILIP LOUIS CHARLES HENRY, DUKE OF (1810-1842)
• ORLEANS, HENRI, PRINCE
• ORLEANS, HENRIETTA, DUCHESS
• ORLEANS, JEAN BAPTISTE GASTON, DUKE
• ORLEANS, LOUIS
• ORLEANS, LOUIS PHILIPPE JOSEPH
• ORLEANS, LOUIS PHILIPPE ROBERT, DUKE
• ORLEANS, LOUIS PHILIPPE, DUKE OF (1725–1785)
• ORLEANS, LOUIS, DUKE OF (1372–1407)
• ORLEANS, PHILIP I
• ORLEANS, PHILIP II

Orleans, her See also:

• PERSONAL

personal See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm making her at the same See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time a favourite in society .

In 1776 she married the painter and See also:

• ART

art-critic J . B . P . Lebrun, and in 1783 her picture of " See also:

• PEACE
• PEACE, BREACH OF THE

Peace bringing back Abundance " (now at the Louvre) gained her the membership of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . When the Revolution See also:

• BROKE, or BROOKE, ARTHUR (d. 1563)
• BROKE, SIR PHILIP BOWES VERE, BART

broke out in 1789 she escaped first to See also:

• ITALY
• ITALY (Italia)

Italy, where she worked at See also:

• ROME
• ROME (Roma)

Rome and See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples . At Rome she painted the portraits of Princesses See also:

• ADELAIDE
• ADELAIDE (Ger. Adelheid) (931-999)

Adelaide and See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria, and at Naples the " See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady ,See also:

• HAMILTON
• HAMILTON (GRAND or ASHUANIPI)
• HAMILTON, ALEXANDER (1757-1804)
• HAMILTON, ANTHONY, or ANTOINE (1646-1720)
• HAMILTON, ELIZABETH (1758–1816)
• HAMILTON, EMMA, LADY (c. 1765-1815)
• HAMILTON, JAMES (1769-1831)
• HAMILTON, JAMES HAMILTON, 1ST DUKE OF (1606-1649)
• HAMILTON, JOHN (c. 1511–1571)
• HAMILTON, MARQUESSES AND DUKES OF
• HAMILTON, PATRICK (1504-1528)
• HAMILTON, ROBERT (1743-1829)
• HAMILTON, SIR WILLIAM
• HAMILTON, SIR WILLIAM (1730-1803)
• HAMILTON, SIR WILLIAM ROWAN (1805-1865)
• HAMILTON, THOMAS (1789-1842)
• HAMILTON, WILLIAM (1704-1754)
• HAMILTON, WILLIAM GERARD (1729-1796)

Hamilton as a Bacchante " now in the collection of Mr Tankerville See also:

• CHAMBERLAYNE, WILLIAM (1619-1679)

Chamberlayne; and then journeyed to See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin and St See also:

• PETERSBURG

Petersburg . She returned to Paris in 1781, but went in the following See also:

• YEAR

year to See also:

• LONDON

London, where she painted the portraits of See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• BYRON, GEORGE GORDON BYRON, 6TH BARON (1788-1824)
• BYRON, HENRY JAMES (1834-1884)
• BYRON, HON
• BYRON, JOHN BYRON

Byron and the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales, and in 18o8 to See also:

• SWITZERLAND

Switzerland . Her numerous journeys, and the See also:

• VOGUE, EUGENE MELCHIOR, COMTE DE (1848- )

vogue she enjoyed wherever she went, See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account for the numerous portraits from her See also:

• BRUSH (from Fr. brosse, which, like the English word, means both the undergrowth of a wood and the instrument; if the word in both these meanings is ultimately the same, then the origin is from a bundle of brushwood used as a brush or broom, but this is h
• BRUSH, GEORGE DE FOREST (1855– )

brush that are to be found in the See also:

• GREAT

great collections of many countries . Having returned to See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France from Switzerland, she lived first at her See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country house near Marly and then in Paris, where she died at the age of eighty-seven, in 1842, having been widowed for twenty-nine years . She published her own See also:

• MEMOIRS

memoirs under the. See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title .of Souvenirs (Paris, 1835-37) . Among her many sitters was Marie Antoinette, of whom she painted over twenty portraits between 1779 and 1789 . A portrait of the artist is in the See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall of the painters at the Uffizi, and another at the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery .

The Louvre owns two portraits of Mme Lebrun and her daughter, besides five other, portraits and an allegorical See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . A full account of her eventful See also:

• LIFE

life is given in the artist's Souvenirs, and in C . Pillet's Mme Vigee-Le Brun (Paris, 1890) . The artist's autobiography has been translated by Lionel See also:

• STRACHEY, SIR JOHN (1823—1907)
• STRACHEY, SIR RICHARD (1817-1908)

Strachey, Memoirs of Mme Vigee-Lebrun (New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, 1903), fully illustrated .